Don’t Call It A Comeback: The Redemption of Shekeese Tha Beast

by Kevin Oliver

 

On Fat Rat Da Czar’s classic 2009 release Cold War 2, “Do Whud I Do” opens with DJ Shekeese The Beast shouting “Can you hear me out there? We back!” before Fat Rat intones, “If you knew what I knew, then you could do what I do.” The partnership between the two Columbia, South Carolina hip-hop artists made them a marquee act and flag-bearers for the genre across the southeast for nearly twenty years, before Shekeese, in his own words, “went dormant” and focused on other business pursuits. Last year, as Fat Rat Da Czar readied a new campaign of hip-hop shows and productions, he re-enlisted his former DJ to appear on stage with him again and just like that, Shekeese Tha Beast was back as hype man extraordinaire and hip-hop ambassador. In a recent conversation with Jasper, Sherard Shekeese Duvall opened up about his entry point into hip-hop, the other pursuits that have occupied his time, and how he has come full circle to reconcile his disparate, multiple pasts into a unified future with a mission to bring South Carolina hip-hop into a new generation. 

Before he was Shekeese Tha Beast, he was just a kid named Sherard, growing up in the neighborhood–but it was the formative experience of his life, he says now in retrospect.

“I grew up in Ridgewood behind Eau Claire High School, so it was a super, super black experience,” Duvall says. “The only time we saw white folks was when we went downtown.” It was a childhood surrounded by family, who shaped his worldview from an early age.

“My family was huge, and there were relatives on both my mom and dad’s sides who were into music, art, sports, politics, it was all there. I had an uncle who was political but also into Stevie Wonder, he gave me Malcolm X books when I was a kid. I had another uncle who played guitar, my grandfather played piano, so art, music, and all this stuff was all around me.”

It was a specific moment that led directly to hip-hop for Duvall, however, a purchase his mother made.

 “She bought me a 45 of LL Cool J’s ‘Candy’ and on the back side was ‘Go Cut Creator Go’ and it blew my mind, I didn’t know how they were making those sounds,” He says. “Prior to that it was seeing the video for Run DMC’s ‘Rock Box’, and I couldn’t figure it out, like was the band the DJ on top of the car? That’s what made me want to be a DJ.”

As an entry point into hip-hop, it turned out to be the right one for Duvall as high school turned into college and beyond. 

“After I got out of Columbia High, I met all the guys in Beat Junction Project, and around that time I also met Fat Rat Da Czar. The Beat Junction Project was doing its thing around Columbia, and he was doing his, and Streetside had put out a record that I was spinning at WUSC-FM.” As a student DJ, Shekeese Tha Beast was born and the show “Non-Stop Hip-Hop” put him on the airwaves weekly, featuring lots of local hip-hop talent in addition to his own DJ skills. His reputation grew, he hosted shows on Hot 103 and the Big DM, and Fat Rat came back around.

 “Fat was coming out with a mixtape, and they were looking for a DJ for it,” Duvall says. “Not sure that one ever came out, but shortly after that he went on to start doing his solo stuff and we ended up collaborating on the mixtape ‘Fat Rat Is Dead,’ which was the beginning of the whole Shekeese Tha Beast and Fat Rat Da Czar thing.”

 It was a perfect collaboration, Shekeese says, which explains the longevity of the relationship that endures to this day.

 “We have a lot in common when it comes to not only how we saw hip-hop but also how we thought about opportunities and hard work, it was just a similar perspective that clicked.”

There were multiple releases that flowed after that, from the “Cold War” series of traditional hip-hop albums with Shekeese as hype man and DJ while Fat Rat dispensed rhymes and wisdom using his instantly recognizable flow. For a time, the pair was synonymous with South Carolina hip-hop, and credit is certainly due to them for all they’ve done to promote and support the genre within the state. Then Shekeese Tha Beast went silent, at least as a performing personality. The reasons behind that dormancy were both personal and professional, he reveals.

 “Unintentionally, the separation with that part of me had to do with its popularity,” He says. “I was all over the radio, people knew me from that, from TV, doing the Love Peace and Hip Hop festival, all of that added to the notoriety and recognition.” What was happening behind the scenes, however, was that he was pursuing a professional career as a filmmaker and videographer, first with Genesis Studios and then with his own, still thriving operation as OTR Media Group. 

 “For the film stuff I felt like it needed to be different, so I was Sherard Duvall, not Shekeese Tha Beast, in that world,” He says. “When OTR came along I was still of the mind to keep things somewhat separate, because I didn’t want to enter rooms as Shekeese, I wanted to be Sherard, to be taken seriously as a business owner and not have it be like ‘Oh, the DJ is here.’”

For Duvall, the link between his hip-hop DJ persona and the work he was doing as a short film specialist and documentary filmmaker wasn’t immediately apparent, but it slowly dawned on him that he wasn’t doing anything all that much different after all.

 “Hip-hop is a storytelling form, and OTR Media Group is built around storytelling in everything we do, from media literacy to media strategy work, nonfiction, short and long form media content,” He says. “Hip-hop is incredibly dense, we’re able to use a lot of words, mesh a lot of styles together, and we’re able to connect with more people in more ways than you can with a lot of other forms of music.”

 In 2023, Sherard Shekeese Duvall, the filmmaker, husband, and father re-emerged as Shekeese Tha Beast on stage with Fat Rat Da Czar for several performances, something that Duvall says he’s enjoyed even more than he thought he would.

 “Stepping back into the Shekeese Tha Beast thing has been one of the most joyous times in my life,” he says. “It was weird when I put it down because there was an article in the paper about me quitting, people didn’t know what to call me anymore, I treated it like ‘that thing I used to do’--but I realized when I was back on stage that I had been neglecting a part of myself; I’m hip-hop through and through and it made me feel whole to be on stage again.”

 It’s the example and the role model, even mentor that he can be for the next generation that’s driving Shekeese Tha Beast now, he says–starting with his own son. 

“Until recently my son had never experienced Shekeese Tha Beast, he was too young to remember me taking him to meet KRS-One or Lauryn Hill,” Duvall says. “He’s eleven now and I took him to the show we did at the Music Farm in Charleston. Him seeing me do that might not register now, but he’s a creative, free spirit kid and it might matter later on when he’s thinking, ‘You know, it’s alright that I’m left of center, that I’m different, because my dad is super different.’” 

For now, Duvall says being “back” just means he’s whole, that his work in film and in the community will go hand-in-hand with his hip-hop persona and all that it entails.  

“I feel like Shekeese Tha Beast is back for all the right reasons,” He says. “Where I find comfort now is in being a hip-hop ambassador for South Carolina. It’s more beneficial to the culture of our state to celebrate the diversity instead of nitpicking what is and isn’t hip-hop. So, all I can tell you is that wherever South Carolina hip-hop is, that’s where you’ll find Shekeese Tha Beast.”

Summer Reading: Columbia Folks Share What They're Reading This Summer

Joelle Ryan-Cook

Love them or hate them there’s something about South Carolina summers (or wherever you go to escape them) that make you look forward to losing yourself in a fabulous book or two, or four, or five.

For me (Cindi), the world has been a bit too much lately and I’m craving the escape and pretend power that comes with magical realism and fantasy. I want to lose myself in a world that allows me to twitch my nose and make all those NRA lobbyists and the politicians who take their money turn into the cockroaches they really are. So, I’ll be reading the 4th in Alice Hoffman’s Practical Magic series, published late in 2021, The Book of Magic.

Practical Magic, the first book on which the 1998 movie starring Sandra Bullock and Nicole Kidman was based was published in 1995 and was so much better than the film. (So, if you loved the film, you’ll flip over the book!) The other books in the series fully develop the history of the Owens sisters and the magic they possess. This last volume ties all the loose ends together and I can’t wait!

I asked several of my friends to tell me what they were either looking forward to reading this summer or what they would recommend for summer reading. Here are the goodies they shared --

 

“I’m looking forward to reading The Art of OOO by Chris McDonnell. This is a coffee table sized art book about the creation of the Cartoon Network show Adventure Time. The book is filled with process art and sketches used to invent a visual universe and creative characters from scratch and I’m excited to see how they did it!

That is when Mary the Dog is through with it!”

-       Marius Valdes

“I loved the Netflix series Heartstopper--so sweet!--so I just ordered all four graphic novels. One of my students had recommended it. Maybe I'll get a chance to teach it next spring!”

-       Ed Madden

 

“I love sharing books I’ve read! My two favorites are below! 

Lillian Boxfish Takes a Walk by Kathleen Rooney 

Fabulous story told by a woman who walks around NY City on New Year’s Eve and remembers her life through the people she meets - Jazz Age to current times. Fiction but based on actual person.  

Leaving Time by Jodi Picoult - love everything by her!

A “present-day” story with a mystery element and an unlikely team of investigators including a discredited psych – this book tells the story of Alice in her childhood and college years and her decision to go to Africa to study elephants. Lots of fabulous info about elephants – Picoult did her research!” 

-       Dolly Patton

 

“Oooh...I love this... 

“I’m looking forward to reading, actually listening to (truth be told, I prefer audiobooks these days) The Underground Railroad by Colson Whitehead. May not be "summer read" material for some, but I just listened to his "The Nickel Boys" and my two teenagers were entranced. Hoping they'll feel the same on summer road trips with this book as well!  

-       Melanie Huggins

 

“I like crime and heavier stuff. If you haven’t read the Patricia Cornwell Scarpetta novels, start. Postmortem is the first. Dr. Kay Scarpetta is one of my favorite characters and Cornwell’s forensic knowledge keeps you enlightened and turning every page as you learn the gruesome details as well as her well written characters. 

-       Kristin Cobb

  

“For me, the slower pace of summer is something I look forward to as I like to spend time discovering new recipes and cooking for friends all season. This year I have been thinking about my mother’s Italian family and how much their zest for life is expressed through gatherings around the table with great food and wine. I am going to take a deep dive into that heritage through the classic 1992 cookbook The Splendid Table: Recipes from Emilia-Romagna, the Heartland of Northern Italian Food by Lynne Rossetto Kasper.

Reading cookbooks full of stories, history, glossaries, and technique is a summertime joy.” 

-       Joelle Ryan -Cook

 

“This summer, I’ll be spending a lot of time with Alice Childress’ play Wedding Band, because I’ll be editing it for inclusion in South Carolina Onstage, a 200-year history of Palmetto State drama. That bit of officiousness notwithstanding, it’s a terrific read at a time when marriage rights are still being debated and dinosaurs still stalk the land. It’s set in Charleston and explores the sociopolitical complexities of interracial marriage during a flu epidemic—I mean how topical can you get? It opened at New York’s Public Theatre in 1972 and has remounted around the world many hundreds of times.” 

-       Jon Tuttle 

 

“I’m looking forward to reading, Hopes and Impediments by Chinua Achebe because he's one of my favorite authors and that's one of the only books in his collection I haven't read yet. 

I have been obsessed by Thomas Freidman's Thank you for Being Late because while it does do a great job of making you rethink being "late", it incredibly breaks down how far behind technology human adaptability is and how critical it is that we update all of our societal systems: education, criminal justice, transportation, social, city development, etc. - to be able to adapt to our new tech-driven world.”  

-       Sherard "Shekeese" Duvall

 

Jasper Talks with Torres Fontain, Jr. about Sundance, Frame x Frame, the Luminal, the Nick & more

“It’s been a journey but I’m at peace nowadays.”

Torres Fontain, Jr. photo by Brailey Johnson

Torres Fontain, Jr. photo by Brailey Johnson

Hi Torres, and thanks for agreeing to virtually talk with Jasper. We’d like to use this interview as an opportunity for readers who don’t know you yet to get to know you as an artist and arts leader, so let’s start off with an introduction that will get all those basic demographics out of the way.

●     Where did you grow up and go to school, how old are you, what are your pronouns, and what terminology do you use to identify yourself as an artist?

I am happy to virtually sit down and talk with Jasper. For those who don’t know, my name is Torres Fontain (he/him) and I’m a product of Camden, SC, home of the Camden High Bulldogs. I am a 29 year old filmmaker and voiceover artist.

●     I know you worked at the Nickelodeon (CFS) until a year or so ago. What did you do there and, if you’d like to, please take a moment and tell us about why you left that position?

My time at The Nick was quite unique. My last job title was Theater Operations Manager however I started as an intern after I was foisted onto the then Director of Media Education, Sherard Duvall.

Quick backstory: I had previously interned for Cynthia Hardy’s tv and radio show and I was an awful intern–just all around bad. Cynthia showed me a lot of grace though, she even paid me, which seems like a miracle in hindsight. I worked so hard though so I at least had that going for me. My transfer over to the Nick was like that episode of Curb Your Enthusiasm, where Larry David couldn’t fire his assistant so he passed her off to someone else. I was the bad assistant. Luckily, Sherard, the “someone else”, took me in willingly.

In 2013 I worked with him teaching Come Around My Way, a new after school media literacy and film production class that we taught at CA Johnson High School. I worked with Sherard for a bit and when he left, I taught CAMW with two other amazing artists, Jessa Gaitor and Josh Yates. At the same time I was working part-time as a theater manager and volunteer coordinator. I ended up moving to Atlanta in 2017 where I freelanced but moved right back to Columbia after I was presented with some stability in the form of a job offer from The Nick.

As the Operations Manager, I did a little bit of everything but mostly I managed the part-time staff and the volunteers. I also took care of the facilities which, in that old building, took up way too much of my time. My ultimate goal in that position was to help make the space more safe and inclusive. I kept this in mind when hiring and when bringing in new volunteers. I’m all about people. I put a lot of care into the folx I worked with and definitely got a lot back. This is why being laid off in May of last year was disappointing. My friends at the Nick were my friends outside of the Nick.

 

●     We’d love to hear more about how you perceive the situation at the Nick now. Are you satisfied with the response of the board of directors to the important problems you and Mahkia Greene identified?

I think we made it pretty clear in our open letter what our departure was like. To be blunt: the CFS leaders used the pandemic to fire everyone. It was done sloppily with zero care. They also made a couple of “fuck you” moves just to let us know that they didn’t take too kindly to a few of us raising concerns about the culture of the Nick before the pandemic hit. People can read all about that in the letter.

I do not currently support the Columbia Film Society nor do I support or approve of its current leaders. It honestly feels strange and a bit bold to think I should have some sort of approval over anything that goes on there now, but in my experience it has done more harm than good when I take the “humble” route and fail to stand in my power. I was there for almost a 5th of the organization's existence. Only a handful of people had been there longer. What was even more valuable was that I spoke to the folx who held positions at CFS before me and the folx who held positions before them. I’m even friends with volunteers who were there since day 1. I think it’s safe that I have a little audacity to express my disapproval.

With that being said, we were very disappointed in the board’s response or rather their lack of response to our open letter. Some of us got severance packages and I think they expected us to be happy with that but our letter was written to address things we did not want to see continue. Mahkia and I were prepared to support the Nick in becoming as safe of a space as possible. Unfortunately they doubled down on the white supremacy. Of all the bullshit though I think I’m most upset that I had to reactivate my Facebook page to keep people updated with everything. This, to me, is truly unforgivable.

●      How have you been using your time since leaving the Nick?

Well in a way, being laid off was the best thing that could have happened for me. It was a chance to take a real break. I had been working so hard and my position was taking a toll on me. I’m used to doing a lot of physical work, pushing the limits of my body. I’ve been an athlete my whole life. I did not expect to be so burnt out emotionally though. So I spent some time grieving, while collecting money from the government of course. I have to mention how grateful I am to have an amazing family. The support from my Mama and Daddy saved me. Spending time with my sisters and my nephews saved me. I owe it all to them.

But I had to get to work eventually. So I did some work with SCRJI (South Carolina Restorative Justice Initiative) and I also did a few podcast episodes with some amazing artists and friends. I joined a virtual workout group, edited a film, and recommitted to my spiritual practices. It’s been a journey but I’m at peace nowadays. Now if only this country could conquer a global pandemic we might be cookin’ with grease!

●      I understand that you have some work with the Sundance Film Festival coming up. What can you tell us about that?

Yes! So Sundance chose the Luminal Theater to host films here in Columbia and I’m helping the founder of the Luminal, Curtis Caesar John, with some editing. I’m also helping host some panel discussions. The only thing I love more than talking about film is listening to other filmmakers talk about film so it’s really exciting to get paid to do that.

●      And if I’m not mistaken you are one of the organizers of the Frame x Frame Club, is that right? Can you tell us more about this project? Is the Frame x Frame club open to the public or is it by invitation only?

Yes, FxF is our baby. We’re lovers of independent film and for the past few years, this team of people have been the ones moderating the critical dialogue in our community. We want to continue to engage with our people in this way. “Think book club but with films”– is what we say. Our contributors are all former CFS employees but anyone can join the discussions. We go live once a month and discuss a film selected by one of our contributors. For now, we only choose films that are available on Kanopy because it’s free with an active library card. Maybe we’ll expand to Netflix or something else in the future we’ll see.

●      What else is going on with you? We’d love to hear about any other projects you have going on.

I’m currently working on launching my podcast next month. I don’t want to drop the name yet because it might change but it’s going to be something special. I’m also writing and editing for a web series that I can’t say much about but some real talented people are involved and I think it will be huge for SC.

●      Is there anything that I didn’t ask you about that you’d like to talk about?

I wouldn’t have expected anyone to know to ask about it because this is a new very new thing for me but I’m finally pursuing my lifelong dream of being a voiceover artist! I’m still working on my demo reel but it’s been a fun and difficult journey so far. If there’s anyone reading this that needs a good voice for something, hit me up, I’m available!

*

Thanks, Torres, for bringing us up to date on what you’re up to and some other happenings in the MIdlands-area film community.

While Sundance at the Luminal ends today, you can read more about the project at Luminal Theatre. (The Luminal Theater is a nomadic cinema that brings Black film straight to the people.)

And you can check out Frame x Frame on Facebook and at their website.

Summer Sixes - It's about the BOOKS - by Sherard “Shekeese” Duvall

  Summer 6

 

Thank you to the incomparable Cindi Boiter and Jasper Mag for thinking of lil’ ol’ me for this Summer Sixes blog series. I am always very humbled and honored when (for reasons I still cannot figure out) people are interested in anything I have to say - so, thank you. I LOVE to read, which I don’t know if many people know that about me. So I’ll share my summer six of which, I believe, are six awesome books to read this summer. With that said ... let’s get to it … in no particular order. - Sherard Shekeese Duvall

SUMMER READS

 MAMADAYMama Day | Gloria Naylor | 1988

Ironically, it was my mama that put me on to Mama Day. My mom was, and still is, a ferocious reader. And often either bought or told me about books to read. This is a favorite of mine from my high school years that came at a time when I was consumed with anything black and anything science fiction. What’s even better, the story is based on the coastal islands of South Carolina, so there are numerous fictional references to the Gullah people here. I still haven’t figured out why this hasn’t been optioned as a movie yet - if you read it on your next road trip, you’ll see why it should be.

 

 Down second avenue

 Down Second Avenue | Es’kia Mphelele | 1969

I have a ‘thing’ for writers and writing that is very authentic. I love it when the characters and their dialogue, even if you have never met anyone like them, to your brain, feel real. Mphelele brings you into a world that lets you know EXACTLY what it was like on the ground in segregated South Africa as a young college student trying to find ones way in society. It’s these types of everyday life stories that can literally make you forget that you are reading until you realize there are no pages left. Excellent quick read for a weekend trip.

 

 mission earth

 Mission Earth Decalogy | L. Ron Hubbard | 1985-1987

Got hours and hours of time to burn on vacation this summer? How about a wildly, sexual, violent, multi-galactical science fiction romp for your imagination? I discovered this series also when I was a teenager, at a time when I was burning through comic books and looking for something more for my wild imagination to devour...and oh...what a wild trip it WAS. Way before I knew that L. Ron Hubbard was L. RON HUBBARD, I ate these crazy sci-fi stories up. I remember, before I could afford to buy em, my mom would go on shopping trips to the mall and I would hide in Waldenbooks for hours reading these absolutely off the wall stories. Need a wacky mind trip? You found it.

 

 EARL

 E.A.R.L.: The Autobiography of DMX | Smokey D. Fontaine | 2002

The phrase “you think you know, but you have no idea” was a popular tagline for VH1’s Behind The Music, but should have been the marketed description of this self-portrait. On DMX’s debut album, “It’s Dark and Hell is Hot” (which, once you read the book, you find out is scarily apt) he rhymes, “Feel the pain, feel the joy...of a man...who was never a boy... for real.” You don’t really GET what that means until you take dive into the deep water of what is Earl Simmons’ life. It’s very dark, and hard, and complicated, and beautiful, and emotional -- if there was ever a rose that grew from the concrete...it was DMX. Pack this in your carry-on bag for your next long flight.

 

 walden

 Walden | Henry David Thoreau | 1854

Thank you to my Columbia High 10th grade English teacher, Ms. Tate ... wherever you are. When I first read this book, I had no idea who Thoreau was and even less of an idea of what the heck a Walden was. This is one of the books that I love because it struck a chord with me at an age when I was trying to find out who and what I was. Reading about this man’s inner thoughts about how we lived and related to the world around us felt a lot like the questions that were pinging around my head at 15. Need a brain getaway? Walden is a great read for a long day on the side of a mountain overlooking a forest. Hello, Appalachia.  

 

 manchild

 Manchild In The Promised Land | Claude Brown | 1965

This is my favorite book of all time. And, to me, the most important book of my life. What Claude Brown was able to do in this autobiographical account is literally the blueprint to inner-city America. It is one of the most textured, tangible and authentic reads I have ever experienced. Like my own childhood, it details perfectly the conflicted life of growing up too young and too soon in an environment that is dealing with a toxic mixture of the effects of racism, classism, sexism, poverty, crime, and about every ill you can fit into a neighborhood - juxtaposed with the happiness, joy, fun and bliss of growing up in a place that - despite the broken glass and winos - you call home. The characters and conversations leap off of the page and put you right smack dab in the middle of the place that birthed the ingredients that created hip-hop culture. You want to understand how complicated and beautiful and creative and cold that life can be growing up in the inner-city? There is NOT another book better. Period.

~~/~~

Sherard Shekeese Duvall = TV/Film Producer | Media Literacy Educator | Media Consultant | Hip-Hop Advocate & Executive Producer, Co-Owner at OTR Films

shekeese