“It’s been a journey but I’m at peace nowadays.”

Torres Fontain, Jr. photo by Brailey Johnson

Hi Torres, and thanks for agreeing to virtually talk with Jasper. We’d like to use this interview as an opportunity for readers who don’t know you yet to get to know you as an artist and arts leader, so let’s start off with an introduction that will get all those basic demographics out of the way.

● Where did you grow up and go to school, how old are you, what are your pronouns, and what terminology do you use to identify yourself as an artist?

I am happy to virtually sit down and talk with Jasper. For those who don’t know, my name is Torres Fontain (he/him) and I’m a product of Camden, SC, home of the Camden High Bulldogs. I am a 29 year old filmmaker and voiceover artist.

● I know you worked at the Nickelodeon (CFS) until a year or so ago. What did you do there and, if you’d like to, please take a moment and tell us about why you left that position?

My time at The Nick was quite unique. My last job title was Theater Operations Manager however I started as an intern after I was foisted onto the then Director of Media Education, Sherard Duvall.

Quick backstory: I had previously interned for Cynthia Hardy’s tv and radio show and I was an awful intern–just all around bad. Cynthia showed me a lot of grace though, she even paid me, which seems like a miracle in hindsight. I worked so hard though so I at least had that going for me. My transfer over to the Nick was like that episode of Curb Your Enthusiasm, where Larry David couldn’t fire his assistant so he passed her off to someone else. I was the bad assistant. Luckily, Sherard, the “someone else”, took me in willingly.

In 2013 I worked with him teaching Come Around My Way, a new after school media literacy and film production class that we taught at CA Johnson High School. I worked with Sherard for a bit and when he left, I taught CAMW with two other amazing artists, Jessa Gaitor and Josh Yates. At the same time I was working part-time as a theater manager and volunteer coordinator. I ended up moving to Atlanta in 2017 where I freelanced but moved right back to Columbia after I was presented with some stability in the form of a job offer from The Nick.

As the Operations Manager, I did a little bit of everything but mostly I managed the part-time staff and the volunteers. I also took care of the facilities which, in that old building, took up way too much of my time. My ultimate goal in that position was to help make the space more safe and inclusive. I kept this in mind when hiring and when bringing in new volunteers. I’m all about people. I put a lot of care into the folx I worked with and definitely got a lot back. This is why being laid off in May of last year was disappointing. My friends at the Nick were my friends outside of the Nick.

● We’d love to hear more about how you perceive the situation at the Nick now. Are you satisfied with the response of the board of directors to the important problems you and Mahkia Greene identified?

I think we made it pretty clear in our open letter what our departure was like. To be blunt: the CFS leaders used the pandemic to fire everyone. It was done sloppily with zero care. They also made a couple of “fuck you” moves just to let us know that they didn’t take too kindly to a few of us raising concerns about the culture of the Nick before the pandemic hit. People can read all about that in the letter.

I do not currently support the Columbia Film Society nor do I support or approve of its current leaders. It honestly feels strange and a bit bold to think I should have some sort of approval over anything that goes on there now, but in my experience it has done more harm than good when I take the “humble” route and fail to stand in my power. I was there for almost a 5th of the organization's existence. Only a handful of people had been there longer. What was even more valuable was that I spoke to the folx who held positions at CFS before me and the folx who held positions before them. I’m even friends with volunteers who were there since day 1. I think it’s safe that I have a little audacity to express my disapproval.

With that being said, we were very disappointed in the board’s response or rather their lack of response to our open letter. Some of us got severance packages and I think they expected us to be happy with that but our letter was written to address things we did not want to see continue. Mahkia and I were prepared to support the Nick in becoming as safe of a space as possible. Unfortunately they doubled down on the white supremacy. Of all the bullshit though I think I’m most upset that I had to reactivate my Facebook page to keep people updated with everything. This, to me, is truly unforgivable.

● How have you been using your time since leaving the Nick?

Well in a way, being laid off was the best thing that could have happened for me. It was a chance to take a real break. I had been working so hard and my position was taking a toll on me. I’m used to doing a lot of physical work, pushing the limits of my body. I’ve been an athlete my whole life. I did not expect to be so burnt out emotionally though. So I spent some time grieving, while collecting money from the government of course. I have to mention how grateful I am to have an amazing family. The support from my Mama and Daddy saved me. Spending time with my sisters and my nephews saved me. I owe it all to them.

But I had to get to work eventually. So I did some work with SCRJI (South Carolina Restorative Justice Initiative) and I also did a few podcast episodes with some amazing artists and friends. I joined a virtual workout group, edited a film, and recommitted to my spiritual practices. It’s been a journey but I’m at peace nowadays. Now if only this country could conquer a global pandemic we might be cookin’ with grease!

● I understand that you have some work with the Sundance Film Festival coming up. What can you tell us about that?

Yes! So Sundance chose the Luminal Theater to host films here in Columbia and I’m helping the founder of the Luminal, Curtis Caesar John, with some editing. I’m also helping host some panel discussions. The only thing I love more than talking about film is listening to other filmmakers talk about film so it’s really exciting to get paid to do that.

● And if I’m not mistaken you are one of the organizers of the Frame x Frame Club, is that right? Can you tell us more about this project? Is the Frame x Frame club open to the public or is it by invitation only?

Yes, FxF is our baby. We’re lovers of independent film and for the past few years, this team of people have been the ones moderating the critical dialogue in our community. We want to continue to engage with our people in this way. “Think book club but with films”– is what we say. Our contributors are all former CFS employees but anyone can join the discussions. We go live once a month and discuss a film selected by one of our contributors. For now, we only choose films that are available on Kanopy because it’s free with an active library card. Maybe we’ll expand to Netflix or something else in the future we’ll see.

● What else is going on with you? We’d love to hear about any other projects you have going on.

I’m currently working on launching my podcast next month. I don’t want to drop the name yet because it might change but it’s going to be something special. I’m also writing and editing for a web series that I can’t say much about but some real talented people are involved and I think it will be huge for SC.

● Is there anything that I didn’t ask you about that you’d like to talk about?

I wouldn’t have expected anyone to know to ask about it because this is a new very new thing for me but I’m finally pursuing my lifelong dream of being a voiceover artist! I’m still working on my demo reel but it’s been a fun and difficult journey so far. If there’s anyone reading this that needs a good voice for something, hit me up, I’m available!

*

Thanks, Torres, for bringing us up to date on what you’re up to and some other happenings in the MIdlands-area film community.

While Sundance at the Luminal ends today, you can read more about the project at Luminal Theatre. (The Luminal Theater is a nomadic cinema that brings Black film straight to the people.)

And you can check out Frame x Frame on Facebook and at their website.

Back for its 6th installment, the Jasper Project is delighted to celebrate the 10 filmmaker team leaders whose 6 minute films will premiere on Wednesday October 30th at the 2019 2nd Act Film Project.

The brainchild of filmmaker and project director Wade Sellers and sponsored by the Jasper Project, 2nd Act Film Project is unique in its creative challenge, for seasoned and first-time filmmakers alike, in that the first and third acts of a screenplay are provided to the artists who, in turn, write the second act and create the film in its entirety.

Several veteran 2nd act filmmakers are returning to the project for the 2019 event including Ian O’Briant and Amy Brower.

Amy Brower is an actor, film maker and producer based in Columbia, SC. This is her 3rd year involved with 2nd Act. Her overall goal with the festival this year is to challenge herself as a writer and director and support and celebrate the film community in SC. It was a no-brainer for her to join the project again this year. “I just asked myself, ‘Why not?’ she says. “ I wear a lot of hats in the film world, but screen writer is a first for me. 2nd act is special because, unlike a 48, or a feature, it provides just the right kind of time line and writing prompt to fit into my already booked schedule.”

Brower continues, “This year was about taking everything I’ve learned and linking arms with some of my favorite people and committing to tell a story that we hope people with connect with. As a film maker, I knew I wanted to share more of myself. 2nd Act film Project gave me the push I needed to actually make it happen.”

Ian O’Briant agrees. Having lived in Columbia since 2000, O’Briant shares a home with his wife and three children. A graduate of UofSC Media Arts, O’Briant is now an IT director after ten years as a multimedia journalist and television producer. The 2nd Act Project is his preferred annual outlet for all things sleepless and cinematic.

“I’m convinced that the 2nd Film Project is the best way to network with other artists and promote the very talented and growing community of motion media artists here in Columbia,” he says.

Filmmaker Jennifer Baxley is also returning to 2nd Act this year. According to Baxley, she “actually met President Trump during the auditions for Season Five of the Apprentice because of her first film (yes, hold your applause).” For the 2019 project she is partnering with the law firm Baxley, Pellerin, and Lindley. In her other life, she is a software developer and an adjunct instructor for Midlands Technical College. This will be her second foray into the 2nd Act Film Project.

Though this is his first experience with 2nd Act, David Axe is a veteran filmmaker based in Columbia, SC, who also writes, creates content for graphic novels, and serves as a freelance war correspondent. Axe wrote and produced The Theta Girl (2017) and wrote and directed Azrael (2019) and Shed (2019). His goal in producing a short for 2nd Act Film Project is to make something memorable and weird — and to do it quickly.

From the age of 13, Silas James Rowland has been creating and producing visual representations of his ideas through the art of filmmaking. Ten years later, he has two feature films under his belt as director (The Sinful South, Cracks), has DP'd three feature films, a handful of shorts, and most recently ne created an hour long documentary filmed in Scotland. His goal with 2nd Act is to dive back into experimental short films and enter into the festival circuit, something he has never done.

2nd Act first-timer. Henry Coonrod, says that, as a filmmaker his top priority is his cast and crew. “I chose this career because I wanted to make interesting things with interesting people, he continues. “Film is this magical medium where private, intimate, intense and beautiful spaces are created; spaces where people work their hardest to create something real. As a writer, director and student myself I seek to create sets where people aren't afraid to ask questions, learn, and build a foundation to create their own movies. My work moves between traditional narrative films and experimental, usually animated, shorts. I have been making films for three to four years now and I still have a lot to learn, I just feel lucky to be part of such a great local film community!”

Also a cinematographer and graphic designer, Sean Parsons started out as a 35mm film photographer. He then went on to enroll in traditional film studies which eventually led to work in animation for children's education where he focused on background and layout artwork. Parsons returned to filmmaking with short films like, Terminus and Syntrifica, which he directed, photographed, edited, sound designed and did the visual effects for.

Taiyen Stevenson is a graduate of the University of South Carolina with a Bachelors Degree of Arts and Science. After his experiences with acting, he decided to write and produce his own short films (Images, Thanks for Everything, and his most recent, The Street Lights Are On). He is currently in the process of launching his film production company, "Virgo Kid Productions." This is his first time entering the 2nd Act Film Project and his main goal is to create strong and significant movies that will capture the audience's attention.

Daniel Colella is a senior undergrad student at The College of Charleston pursuing a BA in English and Film Studies. He is the president of the CofC Film Club and the executive video producer for the Campus Media Organization, CisternYard Media.

Finally, William Woody considers himself pleasantly condescending. He busies himself in screenwriting, stand-up comedy, and illustration.

The public is invited to join these filmmakers and the board of directors for the Jasper Project on Wednesday, October 30th for the 2nd Act Film Project, offering two screenings at 7 pm (sold out) and 9:15. While the first showing will invite audience members to vote on their favorite film for the Audience Award, and the filmmakers themselves to select the coveted filmmakers’ award, the awards will be presented following the earlier screening and announced to the audience of the later screening following that performance. Ticket are available at Eventbrite and are only $10.

The Jasper Project wishes to recognize our generous and steadfast 2nd Act Sponsors Mr. Bill Schmidt, Precision Overhead Door, Columbia Arts Academy, Sound and Images, Trustus Theatre and Coal Powered Filmworks. We are especially appreciative of Chad Henderson, artistic director of Trustus Theatre and former winning 2nd Act Filmmaker himself, who is serving as our host for the second year, Cait Maloney who created our poster art, and Matthew Kramer, formerly of Columbia, who sculpts traditional trophies for our winning filmmakers.

Jasper Talks with Torres Fontain, Jr. about Sundance, Frame x Frame, the Luminal, the Nick & more