“I'm in awe of the masterful clarity, the perfectly weighted brevity of Ann Humphries' poems. There's an immense comfort in her vivid scenes, her people and places so rich in presence, and her clear gaze. … A stunning collection!”
Naomi Shihab Nye, Young People's Poet Laureate
This month, local poet Ann-Chadwell Humphries is releasing her first collection of poetry with Muddy Ford Press as the second feature of their Laureate Series.
Muddy Ford Press is a family owned publishing company dedicated to providing boutique publishing opportunities particularly to, but not limited to, South Carolina writers, artists, and poets. The founders of the press, husband and wife team Bob Jolley and Cindi Boiter, created the Laureate Series with the goal of initiating relationships across South Carolina poets.
“We wanted to promote mentorship between established poets and beginning poets,” Jolley describes, “So we invite all the poets laureate in SC to choose an emerging poet who they are willing to work with, and the laureate then helps build and edit their protégé’s first book.”
The selection of poets for the Laureate Series is the decision of the South Carolina laureates. The first book in the series, as well as this upcoming collection, were both written by poets selected by Columbia Poet Laureate Ed Madden.
The first collection, Theologies of Terrain, featured poet Tim Conroy. Conroy ruminates that, through this series, Muddy Ford Press provides the guidance and care that only poet laureates can deliver to a poet's first collection.
“I am so happy that Muddy Ford Press selected Ann-Chadwell Humphries as the second poet in their Laureate Series,” Conroy shares, “Ann's poetry raises the bar for all to follow. Her award-winning poetry is lyrical, deeply observed, and sound haunted.”
Ann-Chadwell Humphries - photo courtesy of the author
Several years ago, Humphries was diagnosed with retinitis pigmentosa, a genetic condition that caused her vision to get smaller and smaller until she could no longer see. However, while this was an obstacle, it carried with it a gift with which to see the world anew.
While always a lover of literature, Humphries, who had worked in the medical field, had never tried her hand at creative writing. Then, she started taking creative writing classes at the Shepherd’s Center with her friend.
“I remember where I was sitting,” Ann reflects on the day she was first introduced to Mary Oliver’s poetry, “and I thought, ‘I have to do this’.”
This emerging love for poetry became concrete when, in Fall 2016, Humphries audited a graduate poetry workshop with Nikky Finney at the University of South Carolina. This workshop was one of the first times Humphries had the chance to work so closely with her ideas and form.
“It demands careful attention, it demands truth, honesty, and essence,” Humphries remarks on the writing process, “It helps me find goodness.”
Since that workshop, Humphries has published poems in Jasper Magazine, Emrys, Indolent Books, The Collective Eye and more. When Madden and Boiter approached Humphries about the Laureate Series, she had a mix of surprise and pride.
“’What? Really? Me?’ a voice in my head said,” Humphries recalls, “But then I said, ‘Why not me’—I dropped self-doubt at 65.”
With an arsenal of poems and a constant thirst for writing, Humphries knew she had the materials to make a collection, but stitching them together into a book was a different story. Luckily, she had Madden by her side to edit the collection.
"Ann Chadwell Humphries is a poet of many eclipses—celestial, such as the unexpected 'metallic light' beheld with solar glasses, but also eclipses of vision as her sight was lost later in life to the ravages of a recessive gene. And though these poems beautifully document that loss and its attendant difficulties, An Eclipse is the record of a woman who sees with her entire being.”
Nickole Brown, author of Fanny Says and
Jessica Jacobs, author of Take Me With You, Wherever You’re Going
Madden says that when Humphries first sent him a selection of poems, his priority was to give her a sense of her voice and an idea of some overriding themes that were running through her work. Specifically, his work as an editor is a two-fold process.
“I divided poems into yes and no and maybe, and I started arranging poems around my living room in groups that seemed to work together, to speak to each other,” Madden reflects. “Ann was a master at revising, always attuned to line and sound and image, and I enjoyed working with her.”
What stood out for Madden in this collection were the poems about solar eclipses. Once he read them, he knew they could anchor the book, punctuating it with the seen and unseen.
“Thinking how one thing can eclipse another seemed such a resonant theme for her memory poems, her family and relationship poems, and her poems about coming to terms with blindness,” Madden shares. “Once I had those three anchor poems, the book seemed to almost organize itself, like iron shavings organizing themselves around the poles of a magnet.”
From her experience with Madden, Humphries learned valuable lessons, not just about this collection but herself as a poet.
“It was a willingness to say yes, and to put myself in the position where I allowed myself to receive kindness,” Humphries says of the experience, “It was better than I ever imagined. To be in the company of good writers who are helping me grow, I really flourished in that.”
Of course, there is more than just the poems. Humphries worked with her dear friend, Susan Craig, and her niece, Eleanor Baker, and together they crafted a cover, featuring an image from Humphries’ childhood on the front.
Once Madden and Humphries finalized selection of poems and a cover, it went to Boiter and Jolley for edits. Boiter copyedited, proofed, and built the book, then Jolley laid it out in In Design before sending it to the printer, where he ensured the final product was as it was supposed to be.
“Ann Humphries’ debut collection of poems, An Eclipse and a Butcher, is anchored by poems about the solar eclipse, which serve as the perfect metaphor for the blindness experienced by the poet. But Humphries tells us that “blindness provides insight.” … Humphries is a survivor, and we are so lucky she has chosen to share her words and her wisdom.”
Marjory Wentworth, former South Carolina
Poet Laureate
Now, after months of work from all parties, a book, a collection of stories, recollections, dreams, and hopes has come together.
From the titular poem, “An Eclipse and a Butcher,” that recalls a July childhood day in 1963 to a reminisce of her own father’s birth to the experience of tracing the waves of Van Gogh’s art, Humphries’ collection takes the reader through the throws and thrills of life with a final promise to walk with you wherever you may go.
“It’s myself. It’s a piece of me. It’s an honest gift,” Humphries declares. “It’s a piece of beauty in the world where there’s a lot of ugliness.”
The launch event for An Eclipse and a Butcher will take place via Zoom on November 22nd at 4:00pm. Muddy Ford Press will not sponsor any public readings until after pandemic precautions in the area have been lifted. The book will be $15 and available for purchase via Amazon, BandN.com, and via the author.
