DECKLE EDGE — New Literary Festival to Launch in February 2016

 

The inaugural Deckle Edge Literary Festival will be held February 19-21, 2016, in Columbia, South Carolina. The weekend-long festival will feature readings, book signings, panel presentations, exhibitors, writers’ workshops, activities for children and young adult readers, and a wide range of other literary events for many interests and all ages.

The Deckle Edge literary festival will gather and foster the diverse branches of our region’s literary community through an inclusive weekend of public events and programming for readers, writers, and lovers of the written word. While Deckle Edge has its roots in the storied tradition of South Carolina’s literary life, the festival is committed to forging new ground, challenging existing boundaries, and broadening the conception of the literary South.

The festival hopes to appeal to regional and national audiences while remaining a community focused effort, partnering with an extensive network of South Carolina literary and cultural organizations, including Richland Library, the University of South Carolina Press, Hub City Writers Project, the SC Center for Children’s Books & Literacy, Ed Madden and the Columbia Office of the Poet Laureate, South Carolina Poet Laureate Marjory Wentworth, the Low Country Initiative for Literary Arts, Jasper Magazine, Richland County schools, and others.

Deckle Edge will be built on the strong foundation of the South Carolina Book Festival, a project of the Humanities Council SC, which announced the festival’s dissolution this past summer. The Humanities Council SC is now actively pursuing a variety of year-round statewide literary initiatives and has been supportive of the plans for Deckle Edge as a new literary event to be hosted in Columbia. “The SC Book Festival was a tremendous gift to readers and writers in the South, and we’re grateful to the Humanities Council SC for sharing their expertise with us as we create something new,” said Deckle Edge co-chair Darien Cavanaugh, “We would not have been able to move so quickly on launching Deckle Edge without their guidance and good will.”

Participating authors and specific panels have not yet been announced. While the festival will not be limited to local talent, programming will highlight a handful of New York Times bestselling authors from the Carolinas, some beloved favorites from past SC Book Festivals, and many voices not previously heard from at South Carolina literary events. “This is Columbia’s literary festival,” said Deckle Edge co-chair Annie Boiter-Jolley, “but it’s also joining the larger conversation about literature of and in the South. We look forward to sharing our vision with writers and readers, and to hearing from them as to what Deckle Edge might become in future years.”

As the festival goes through the process of applying for nonprofit status, One Columbia for Arts and History will be acting as its fiscal sponsor. Deckle Edge has also sought financial support through city and county tax grants, and is currently accepting tax-deductible donations through One Columbia. “Deckle Edge is the right literary event at the right time,” said One Columbia executive director Lee Snelgrove. “What Annie and Darien are building with their partnerships is very ambitious, but this city has already proven that ambition can be rewarded in our arts community. One Columbia is proud to be a partner in establishing this new literary festival.”

Visit the festival web site at www.DeckleEdgeSC.org to donate or to sign up for the festival mailing list, and e-mail info@DeckleEdgeSC.org for more information.

Jasper Announces 2014 JAYS

Jasper Magazine is delighted to announce the winners of the 2014 Jasper Artists of the Year awards. Winners were announced on Friday, November 21^st at a fundraiser gala for the magazine at Columbia’s historic Big Apple at Park and Hampton Streets, amongst a crowd of 150 guests.

Winners include Katie Smoak for dance, Darien Cavanaugh for literary arts, Greg Stuart for music, Kathleen Robbins for visual art, and Catherine Hunsinger for theatre.

The evening’s entertainment was provided by swing dance masters Richard Durlach and Breedlove, who are featured in the November/December issue of Jasper Magazine, and who demonstrated and taught attendees how to dance the Big Apple dance, made famous in 1937 at the historic Columbia location. Vicky Saye Henderson and the Apple Jacks, a new period musical ensemble comprised of Greg Apple, Christopher Cockrell, Chase Nelson, and Henderson, entertained with songs from the era, and Terrence Henderson emceed the event. Catering was provided by Scott Hall Catering. Rob Sprankle was the photographer.

Sponsors for the evening included Bourbon Columbia, City Art Gallery, HoFP Gallery, Peter Korper Realty, Coal Powered Filmworks, Burt Pardue, Billy Guess, Jody and Jeff Salter, Pura Wellness Spa, and an anonymous donor. The gala committee was comprised of Lauren Michalski, Bohumila Augustinova, Rosalind Graverson, Margey Bolen, Annie Boiter-Jolley, and Jasper editor Cindi Boiter.

Nominees for Jasper Artist of the Year (JAY) were solicited from the public early this fall based on individual artistic achievement from September 15, 2013 until September 15 2014. Committees of experts in each of the disciplines reviewed the nominations and narrowed the candidates down to three finalists in each field. The public was then invited once again to vote on their choices in each of the five categories. Finalists in dance were Smoak, Thaddeus Davis, and Caroline Lewis Jones; in literary arts, Cavanaugh, Julia Elliott, and Alexis Stratton; in music, Stuart, the Can’t Kids, and the Mobros; in visual arts, Robbins, James Busby, and Eileen Blyth; and, in theatre, Hunsinger, Robert Richmond, and Frank Thompson.

Outgoing JAYS for 2013 include Terrance Henderson for dance, Vicky Saye Henderson for theatre, the Restoration for music, Philip Mullen for visual art, and Janna McMahan for literary art.

For more information on Jasper and the 2014 JAYS visit www.Jaspercolumbia.net.

Welcome Wade Sellers -- Jasper's New Film Editor

It was about this time two years ago when a small group of us gathered in my living room out at Muddy Ford and discussed what we wanted out of the new Columbia arts magazine we were building, Jasper. Having written for national magazines for years, I felt comfortable on the writing side of things. But having always been peevish about people talking -- or worse, writing -- about things they know little about, it was important from the start that we only bring in staff members who know a great deal about their subject matter. Experts in the field, if you will. Folks who have the vocabulary and are proficient in the theory and methods about which they would write.

It was a pretty small group of us at first. Ed Madden took on the literary arts and Kyle Petersen, music. Thankfully, Heyward Sims agreed to be our design editor -- a huge task and a huge load off of my mind to know that our words and photography would be handled by someone who would respect them, as well as enjoy and experiment with the process of putting them on paper. And Kristine Hartvigsen was and continues to be a great source of advice and encouragement.

It didn't take long for the magazine family to grow with long-time theatre aficionado August Krickel joining the staff as theatre editor,  Bonnie Boiter-Jolley as dance editor (it seemed only natural), and Forrest Clonts as photography editor -- another huge job given that Forrest is responsible for arranging for all the photographs to be taken, and then editing them and preparing them for publication. Last summer, Annie Boiter-Jolley signed on as our operations manager -- a tremendous underuse of her skill set, but we're thrilled to have her. Just before Christmas this year, Chris Robinson from USC joined us as our visual arts editor -- a position I had been wanting to fill with the right person since the inception of the magazine. And now, finally, local filmmaker and documentarian Wade Sellers has come on board as our film editor.

Wade is the owner and executive director of Coal Powered Filmworks and, among many other things, the person who brings you the excellent SC ETV series on South Carolinians and their involvement in WWII. Wade is always hopping on a plan and heading for all points exciting so I'm practically over-the-moon that he has agreed to share his wisdom with us. And when I say that he has wisdom and experience, I'm not kidding -- in all aspects of filmmaking. He has served as the director of four films, cinematographer on seven, writer on three, and editor and producer on two, not to mention working as camera, gaffer or grip on nine more. And he's been nominated for two Emmys.

Wade came to work ready to make things happen in the Columbia film community. You'll see the product of his work in the next issue of Jasper coming out on Friday night, July 12th. And you'll also hear him announce some exciting news about an additional film festival in Columbia (organized with the blessing of our friends at the Nickelodeon.)

So please help us welcome Wade to the Jasper family. He fits in so well - it feels like he's been here forever.

White Christmas Drinking Game -- Our Gift to You

 

The annual viewing of Irving Berlin's classic holiday film  White Christmas has been a part of our family Christmas traditions since before our kids were born. Now that our girls have grown up and found the loves of their lives, we still enjoy watching the film with the whole crew, but this year we added a twist that makes adult viewing oh so much more fun -- booze.

Annie, Bonnie, Kyle, and Chad, along with me and Bob, the love of my life (and founder of the feast), sat down last night with the film, a notebook and pencil, and a variety of boozes that ranged from Bob's amazing Dark Cherry Stout, Chad's key lime pie cocktails (my favorite), and Kyle's delicious classic Rye Manhattans, and we created The White Christmas Libation Extravaganza -- or, how to How to drink a blue Christmas white, and we knew immediately that we wanted to share the product of our labors with you. (What's that saying? It's a tough job but...)

It's pretty simple, actually. Load up the film (which can be streamed from Netflix  or from Amazon for 5 bucks), gather your beverages of choice* and get ready to imbibe. (*You might also want to gather a glass of water for each participant to sip on when the going gets tough.)

Here are your drinking cues -- and remember a sip counts, you don't have to guzzle.   Drink whenever anyone says the following words:

white

Christmas

snow

sisters

when anyone salutes

when Danny Kaye touches his arm

when Danny Kaye's voice cracks

when anyone notices an inconsistency in the film (check out when Vera Allen is pouring coffee in the dressing room she shares with her sister (drink!) Rosemary Clooney)

We've designed the game so that there are moments of hilarity, (particularly during a couple of Berlin's great songs like "Sisters" and "Snow") but there are plenty of lull times so you can enjoy the great classic film that White Christmas is.

In an effort to expedite this blog and get back to celebrating the holidays with my beloved (the girls have traveled to the homes of their sweeties for the holidays this year, hence the early celebration of Boiter-Jolley Christmas), I've lifted the following info directly from Wikipedia, but it gives you some background on the production of the film.

White Christmas was intended to reunite Bing Crosby and Fred Astaire for their third Irving Berlin showcase musical. Crosby and Astaire had previously co-starred in Holiday Inn (1942) – where the song 'White Christmas' first appeared – and Blue Skies (1946). Astaire declined the project after reading the script and asked to be released from his contract with Paramount. Crosby also left the project shortly thereafter, to spend more time with his son after the death of his wife, Dixie Lee. Near the end of January 1953, Crosby returned to the project, and Donald O'Connor was signed to replace Astaire. Just before shooting was to begin, O'Connor had to drop out due to illness and was replaced by Danny Kaye, who asked for and received a salary of $200,000 and 10% of the gross. Financially, the film was a partnership between Crosby and Irving Berlin, who shared half the profits, and Paramount, who got the other half.  Within the film, a number of soon-to-be famous performers appear. Dancer Barrie Chase appears unbilled, as the character Doris Lenz ("Mutual, I'm sure!"). Future Academy Award winner George Chakiris also appears as one of the stone-faced black-clad dancers surrounding Rosemary Clooney in "Love, You Didn't Do Right by Me". John Brascia leads the dance troupe and appears opposite Vera-Ellen throughout much of the movie, particularly in the "Mandy", "Choreography" and "Abraham" numbers. The photo Vera-Ellen shows of her brother Benny (the one Phil refers to as "Freckle-faced Haynes, the dog-faced boy") is actually a photo of Carl Switzer, who played Alfalfa in The Little Rascals, in an army field jacket and helmet liner. Robert Alton is credited as the film's dance director, although some choreography was created by Bob Fosse, who was not credited.

White Christmas ends up starring Bing Crosby and the beautiful Danny Kaye, Rosemary Clooney, and the anorexic Vera Allen (who was a phenomenal dancer, but so thin she could be painful to watch), and premiered in 1954. You know the name of the director Michael Curtiz from Casablanca, Yankee Doodle Dandy, and Mildred Pierce. (Curtiz was often criticized for lacking in character development -- which I think he addresses in this film, albeit rather simplistically -- and playing on emotions rather than intellect -- which, in White Christmas, is as true as can possibly be.)

But, we don't watch a movie at Christmas to analyze it -- we watch it to celebrate! And, this year, we invite you to watch White Christmas to drink!

Merry Christmas on behalf of the staff of Jasper Magazine and the crew at Muddy Ford! Thank you for all the love and support you've thrown our way this year. And may all your Christmases be white.

Cheers,

Cindi

TONIGHT – “Kristina Stafford: a long way home” at Gallery V

Opening Reception at Gallery V – Contemporary Art & Fine Craft

5 – 8 pm

Tonight, Gallery V opens its new show, Kristina Stafford’s “a long way home.” – an exhibit of mixed media sculpture that incorporates clay, metal, paper, flocking, and paint in installations, wall mounted pieces, “landscapes,” and functional flower vessels.  Stafford, a recent Columbia transplant, frequently works with combinations of two and three dimensional elements, and in this show, incorporates functional pieces with similar themes.  “I love to make pieces that hold flowers,” she says, “the pieces are decorated objects that become even more adorned after flowers are added.”

The title of Stafford’s show references her recent move to Columbia from New York.  “I asked myself what home is, or what home means,” she says.  “’A long way home’ is just me feeling I have miles to travel and places to see and experiences to be had before we are home.  So this show for me is about taking a look at my surroundings, reacting to them, decorating them, and sort of allowing myself to wonder where home might be next.”

The opening reception is tonight (July 19) from 5 – 8 pm, and the show runs through August 11^th.  Gallery V is located above Good for the Soul at 631-D Harden Street, in Five Points.  See more of Stafford’s work at kristinastafford.com, and find more information about the Gallery V at facebook.com/GalleryVArt.

-- A. Boiter-Jolley 

Photo credits: Kristina Stafford

Krewe de Columbi-Ya-Ya - "What we lacked in organization we made up for in sheer audacity ..."

 

_____

I can't begin to tell you how much fun we had last year, but maybe the photo above will help you understand.

Yes, that's me, chief instigator at Jasper Magazine on the far right, and to your left you see the be-stogied Kyle Petersen, grad student and USC English instructor as well as music editor for the magazine who, in lieu of a drum is appropriately banging on an empty panettone tin with relish. Continuing left and behind Kyle is Ed Madden, literary arts editor of Jasper, poet and one of USC's most beloved professors. Further left is Bob Jolley, aka the Beer Doc, Muddy Ford Press publisher, ER physician, and general founder of the feast out in our neck of the woods and, beside him, our eldest, Annie, grad student, USC instructor, political junkie, and newly the queen of distribution for Jasper Magazine. (Had she not been dancing out in Seattle, our youngest Bonnie, would most assuredly been in this photo as well.) In keeping with the family affair, my sister-in-arms, Kristine Hartvigsen, associate editor of Jasper, photographer, and the voice of experience around here, is pictured below arm-in-arm with the boy we wish were our little brother, local artist Michael Krajewski. And below that, Ed is pictured with his beloved, Bert Easter, antiques-meister and an integral part of university students' first year experience.

The day started early at City Roots Farm as we rolled up to a small but growing crowd of friends and soon-to-be friends dressed in their finest purples, greens, and golds with assorted costumes that ranged from a crawfish to a local artist who had fashioned a boa from discarded plastic grocery store bags.

What we lacked in organization we made up for in sheer audacity, and before we knew it, we were parading down Rosewood Boulevard to the beat of the Next Door Drummers. We lit our stogies and passed our flasks of the finest adult beverages. We sang, we chanted, we threw beads to shocked but delighted onlookers. In the vernacular of the 1960s we seriously let it all hang out. Returning to our starting point at the farm, we feasted and drank and listened to good music as the night wore on.

All this happened as a result of a few weeks preparation.

Well, folks, we've been working on Mardi Gras 2012 for a year now and, Sisters and Brothers, this year we are blowing it out of the water!

With close to 20 bands on board already,  a food truck rodeo, a much larger marching contingency that includes some of your favorite local artists and Columbia's own Alternacirque and more, the addition of a canine parade as well, this year's Mardi Gras Festival hosted by the Krewe-de-Columbi-ya-ya is sure to go down in history.

So this I posit to you: If you are reading this blog you are either a lover of the arts and Columbia's arts community or you are a friend of this magazine. Either way, you are a perfect candidate to attend this year's festivities either as a reveler, as one of the smart folks who grabs one of the last spaces to become a member of the original and hosting krewe, the Krewe de Columbi-Ya-ya, or by starting a krewe of your own!

And starting your own krewe is decidedly easy-breezy -- we have very few rules & all we ask for is $50 to offset parade costs and that you have at least 10 folks in your krewe. 

Are you listening folks at The Whig, Trustus, Art Bar, Tapp's Arts Center, Town Theatre, Workshop Theatre, The Betty Page Turners, Jam Room, Hunter Gatherer, 701 CCA, and every freaking department or program at any of Columbia's universities? What better way to bond and let off steam and show your city spirit than by representing yourselves proud and loud at Mardi Gras?

We roll on Saturday, February 18th and this year our theme is "Going to the Dogs" which means we also have a canine contingency in our walking parade. You can register and walk your pup in the parade and we'll donate the $5 registration fee to  The Animal Mission. Other proceeds will go to benefit Doku Farms.

Come on out, Friends and Neighbors -- we're growing large and one of these days you'll be so happy to look back at the beginnings of what is sure to be a great Columbia tradition and know that you were a part of the start of it all.

Laissez les bons temps rouler, Columbi-Ya-Ya!