Ony's Bands - Jackson Spells

Ony Ratsimbaharison is a local musician, writer, and blogger and member of the band fk. mt. Jasper asked Ony to write a regular feature profiling local bands — getting at what they’re doing, why they’re doing it, and how it’s going. If you’d like to see your band profiled in What Jasper Said, send Ony a message at JasperProjectColumbia@gmail.com with the word ONY in the subject heading and she’ll, you know, take it under consideration.


Local psych-rock group, Jackson Spells, aims to embody the subconscious, subjective reality in their recently released full-length titled 2.5, reshaping the format of their band as a two-piece with keys and drums. They first formed in 2014 as a trio, after John Watkins’ and former member James Wallace’s band, The Unawares, disbanded. They intended to take their music in a new direction, and after adding Rob Cherry as their drummer, they decided to change the name to Jackson Spells. Currently, the band consists of Watkins on keys and vocals and Cherry on drums, a change that prompted the duo to write a new album.

Their sound is a mix of arty horror with a grand piano sound, a choice that Watkins says makes him able to bring out the bass notes more. He is no stranger to eccentric and unconventional bands. “In the late 1980’s to early 90’s,” Watkins says, “I had a jazz rock band called Brainchild. We thought we were bad-asses. We had long hair and wore robes. Wow.” He tells us more about his current band and their songs in the following interview.

You can catch their unique sounds on September 18, along with Boo Hag and Los Perdidos, at Tapp’s Arts Center for the book launch of The Incredibly Strange ABCs by cartoonist Tommy Bishop.

jackson-spells

How did you come up with the name Jackson Spells?

I was relearning the piano at the time, and I just imagined a kid, named Jackson, learning how to spell.  Then I thought about Jackson Spells having multiple meanings, and that appealed to my more mystical side, like a town named Jackson having to deal with witches spells. So I pitched it to the mates, and it stuck.

What is your songwriting process like?

When writing a new song, I begin with piano or guitar, and if it’s the guitar, I transpose it to piano before being superimposed with the vocal melody and lastly, I work on the lyrics. Then I take the song to Rob, and that’s where we work out an arrangement, and sometimes at that point lyrics may need to be edited to fit with the finalized arrangement.

My love of horror films often colors my lyric choices. My lyrics are led by suggested vowels and consonants that come to me when I’m writing the vocal melody. So from there, it’s kind of like a crossword puzzle, filling in the blanks with the right words. For the past year or so I have been using William Burroughs’ “cut up” method to help me write lyrics.

Who are some of your main musical influences?

David Bowie, Nick Cave, and John Cale.

My music has been compared to a lot of bands and artists that I never listened to. And that’s OK with me.

What is your overall philosophy as a band, if you have one?

Our philosophy is: Write. Record. Perform. Repeat.

Where can people find your music?

Our sophomore full-length album, entitled 2.5, is now available on Bandcamp.com.

The first album is also on Bandcamp and available on 12” vinyl.

 

New Local Music: The Unawares – When The Trees Are Empty

Okay, okay—it’s not really “new” (the record came out in February), but we here at Jasper just got rolling, so you’ll have to forgive us for reaching back a bit. The Unawares are a three-piece rock band fronted by guitarist/singer John Watkins and backed by bassist James Wallace and drummer Rhett Berger. And these guys have a very particular, and awesome, notion of what rock and roll should be.

Actually, you know that band Jack Black supposedly joins in High Fidelity? The Unawares are what that band would have sounded like in real life. These guys synthesize a whole host of elitist-record-clerk favorites from the 1980s, most notably groups like the Pixies, Guided by Voices, and the Meat Puppets. And, hey, there’s really nothing wrong with that. In fact, it sounds pretty great—delightfully odd rock tunes full of crunchy guitars, indecipherable-yet-catchy vocals, and an emphasis on keeping it short but sweet (3 out of 15 songs break the 3:00 mark) can really pay some strong dividends. The group has released two full-lengths and an EP prior to this, but it seems like When The Trees are Empty has finally captured the “big” rock potential of this garage punk three-piece, kind of like the way New Day Rising did for Husker Du. The band has always had succinct little rock fancies that hit you over the head and disappear shortly thereafter, but this time you kind of get the feeling that these tunes would work just as well in the outdoor theater or hip concert hall as  in the sweaty barroom clubs and dives that this kind of music is normally found it. Kudos to Chris Wenner, who records the band’s records and provides the magical glue that re-creates their live sound on tape.

Anyway, aside from all my musings, Columbia really should (and often does) count itself lucky to have a rock and roll band of the style and caliber as The Unawares. Check out the band’s website here: http://theunawares.com/index.

http://youtu.be/rXkmQIJWEjs

-- Kyle Petersen

(Kyle Petersen is the music editor for Jasper Magazine. Read his most recent article on Josh Roberts and the Hinges in Jasper Magazine Volume 1, Number 1 at www.jaspercolumbia.com.)