"Cheaper by the Dozen" - Melissa Swick Ellington reviews the new show at Lexington's Village Square Theatre

cheaper2 The Lexington County Arts Association presents Cheaper by the Dozen, dramatized by Christopher Sergel from the book by Frank B. Gilbreth, Jr., and Ernestine Gilbreth Carey, at the Village Square Theatre through November 16.   Based on the book authored by two of the Gilbreth children, Cheaper by the Dozen explores family life in the early twentieth century as the older girls begin grappling with the social and fashion issues of high school.  While the song titles and style choices are of a different era, the teenagers’ feelings are timeless. The real life inspiration for the father character, Frank Bunker Gilbreth, was an accomplished efficiency expert. His work in the field of time and motion study extended from factories to his own home, where Gilbreth and his wife Lillian Moller Gilbreth implemented procedures inspired by efficiency with their children. Several of these attempts are dramatized in the play, such as the use of Victrolas in the bathrooms for the purpose of learning foreign languages. Although the scene of Gilbreth modeling the most efficient way to bathe while fully clothed on the living room rug is undeniably humorous, he made serious contributions to his profession. (The book by Gilbreth and Carey was made into a film in 1950. Potential audience members may want to know that the more recent movie starring Steve Martin does not reflect the book’s characters or plot.  South Carolina connection: Gilbreth later wrote a popular column for the Charleston News and Courier for many years under the pseudonym of "Ashley Cooper.")

As the authors of the book that inspired the play’s creation, Frank and Ernestine provide a handy narrative framework, sharing glimpses of character and exposition as they remember their energetic and loving father’s impact on family life. The story focuses on Mr. Gilbreth’s goal of prioritizing efficiency as well as instilling strong character and values in his large brood. While the oldest child Anne rebels with silk stockings and a flashy cheerleader suitor, her younger sisters encourage her daring ways as ardently as her father tries to put on the brakes through insisting younger brothers accompany older sisters on dates. Although light-hearted matters of high school popularity and the family dog’s misbehavior suggest an insouciant romp, there is a dark cloud of illness that runs through much of the drama. The parents’ awareness of Mr. Gilbreth’s heart trouble contrasted with the children’s ignorance of the situation allows for moving exchanges such as one daughter’s careless declaration (“I wish I were dead”) met by her father’s troubled reply, “What a thing to wish.” As the audience comes to understand the motivation behind Mr. Gilbreth’s urgent need to organize his family and push the children through their education, the play moves beyond a simple comedy to a more complex depiction of the harsh struggle that mortality poses for any family.

This Village Square production boasts effective direction and an excellent cast. In the central role of the patriarch known for his “By jingo!” exclamations, Brian Andrews delivers a moving performance as Mr. Gilbreth. With the charming Lisa Pappas playing his gracious and clever wife, Andrews creates a highly convincing family dynamic. (Gariane Gunter plays the role of Mrs. Gilbreth for the November 14 – 16 performances.)  The idea that “what works in the factory” can improve the home helps to drive an entertaining script.  Andrews’ strong stage presence reveals a father who loves, gives firm direction, and teaches his children.

Although we don’t see all twelve children referenced in the title as the babies are being cared for “upstairs” throughout the play, the nine youngsters who appear on stage are vibrant enough for a full dozen and then some. The children craft a very believable sense of sibling camaraderie, transforming the living room set into a real home full of lively young people. As eldest daughter Anne, Maggie Hornacek achieves a skillful portrayal of the adolescent girl trying to date boys and become popular, while also learning adult truths about life.    Riley Goldstein and Cameron Eubanks share enthusiasm as Ernestine and Frank, making fluid transitions between reminiscences and scenes of the past. Kori Hays plays Martha with verve, and Paul Woodard becomes a genuine and funny younger brother in the role of Bill.   Isabella Gunter (Jackie), Kristen Hallman (Danielle), Cade Culler (Fred), and Annsyn Feinberg (Lillian) demonstrate spirit and charisma. It is rare to see a cast this young deliver such consistently strong performances, and the Cheaper by the Dozen kids succeed admirably.

cheaper3

Supporting characters are also well represented in this production. Graycen Szalwinski is appropriately flashy as the cheerleader Joe Scales, while Nick Holland makes a sympathetic impression as the beleaguered boyfriend Larry. Ben Sellers shares a memorable performance as the disapproving teacher Mr. Brill, and Rae Fuller’s effective appearances as Mrs. Fitzgerald remind us of the tremendous work required to keep the home running. Alternating in the brief yet significant role of Dr. Burton are Jeff Sigley, Steve MacDougall, and Troy Fite.

Mr. Gilbreth keeps an eye on his daughter and her suitor.

Village Square Theatre has once again assembled a talented production team, with producers Jill Larkin and Jeff Sigley at the helm. Debi Young provides insightful direction, and Daniel Woodard (Technical Director/Master Carpenter) has created a very attractive and functional set. Additional technical support includes experienced theatre artists such as Debra Leopard (Lighting Design), Nancy Huffines (Costumes), and Becky Croft (Sound Design and Control).

This lovely production gently affirms the idea of saving time for where one’s heart lies. Hard work, education, and family bonds: the Gilbreth clan’s experiences do not sugarcoat life’s challenges. My first grader shared that she enjoyed this play “about a family who learned about love.” I believe that audiences will leave the theatre feeling that they have learned something about love, and family, too.

~ Melissa Swick Ellington

Cheaper by the Dozen runs through Sunday, November 16; visit www.villagesquaretheatre.com/ for more information.

 

"Yes Virginia - The Musical" at On Stage Productions - a review by Melissa Swick Ellington

1395287_652153578170015_1413807614_n

The On Stage Productions performance of Yes, Virginia The Musical offers plenty of heartfelt holiday spirit.  Drawn from an animated television special, the stage musical (with music by Wesley Whatley, lyrics by William Schermerhorn, and book adapted by William Schermerhorn from the animated special and storybook by Chris Plehal) has been developed by Macy’s as a performance opportunity for young people.

the cast of "Yes Virginia - The Musical" at On Stage Productions; photo by Rob Sprankle

Based on a true story, the action unfolds during the year 1897 in New York City. Eight-year-old Virginia O’Hanlon questions whether Santa Claus is real. The search for truth takes her to the library as well as through the holiday bustle in the city, where Virginia encounters a bell-ringing “scraggly Santa” who reveals gifts for friendship and wisdom. Since she has been told “If you see it in The Sun, it’s so,” Virginia writes a letter to The New York Sun, asking “Please tell me the truth; is there a Santa Claus?” While the answer to her query is well known, the journey to that answer provokes curiosity.

Olivia (L) and Liberty Broussard as

Highlights of the performance feature the lovely singing voice of Liberty Broussard as Virginia, the clever timing of Rachael Sprankle as the whimsical Librarian, and the dynamic exuberance of Olivia Lesniak as Virginia’s best friend. Zach Tenney as Scraggly Santa exudes strong stage presence and communicates believable character development. JoJo Wallace conveys the mean girl role of Charlotte with vigorous energy, supported by her snooty cat Mrs. Whiskers (Mia Coats). Sincerity and sweetness emanate from the entire cast, particularly in the closing reprise of the title song. Additional cast members include Ella Johnson, Grace Beasley, Emma Cathryn Eubanks, Pierce Mejias, Perry Raines, Zavery Johnson, Paul Woodard, Heyward Moak, Cameron Eubanks, Turner Carson, and Major McCarty. The capable and dedicated production team includes Robert Harrelson (Director), Ryan Rogers (Youth Director), Rebekah Cheatham (Youth Choreographer),

Rachael Sprankle as Miriam the Librarian;  photo by Rob Sprankle

 

Michelle Cheatham (Choreographer Coordinator), Debi Young (Rehearsal Music Coach), Brandon Moore (Stage Manager), and Tony Vaccaro (Stage Design and Props). April Wallace and Gina Moak Cotton designed costumes, Harrelson and Rogers planned lighting and sound, and Jill Larkin and Niane Szalwinski shared producer responsibilities. Production design establishes numerous locations effectively, such as Virginia’s home, the Sun office, the library, and the streets of New York City. Projections of images featuring different Santas from around the world emerge in the library sequence. Younger viewers will benefit from front row seats, as the audience arrangement can obstruct the view of little ones. The intimate performance space creates a cozy and welcoming environment; carol-singing and piano-playing plus a hot chocolate “bar” (and the delectable dessert offerings for sale) make intermission feel like a friendly holiday party.

JoJo Wallace (R) as mean girl Charlotte, and Mia Coates as her snooty cat; photo by Rob Sprankle

The focus on youth engagement at On Stage Productions is commendable, as evidenced by inclusion of the student directing intern in the opening remarks, and the production’s involvement of an eleven-year-old choreographer. The young actors appear comfortable and confident on stage. The audience’s enjoyment of the performance is buoyed by the children’s delight in performing. (My six-year-old daughter confided after the first act, “Mommy, this seems like a GREAT place to be in a play!”) The earnest ensemble entreats in song: “Believe in joy. Believe in love. Believe your whole life through. Keep bright the light of childhood.” The light of childhood shines brightly at On Stage Productions this holiday season.

Want to learn more about the script and score? The website yesvirginiathemusical.com provides production resources which will delight young theatre artists. Interested in attending the On Stage performance? Visit www.onstagesc.com for tickets and further information. Yes, Virginia The Musical will be presented at the On Stage Performance Center (680 Cherokee Lane in West Columbia) at 7:30 pm on December 7, 12, 13, and 14, and at 2:30 pm on December 7, 8, 14, and 15.

~ Melissa Swick Ellington