Jasper Partners with One Columbia & All Good Books to present 2024 ONE BOOK Project -- Book Announcement Celebration April 21st at Bierkeller

A few hints: the author lives, works, and writes in Columbia, the book’s theme centers around nature, environmental responsibility, and climate change, and there are characters in the book that transcend perceived racial, gender, sexual orientation, and even biological divisions to remind us that we are all citizens of this planet.

The public is invited to join the Jasper Project, One Columbia, and All Good Books, along with our host, Bierkeller Brewing Company on Sunday afternoon, April 21st from 3 – 5 pm for the announcement of our new book selection for Columbia’s 2024 ONE BOOK project!

As an Earth Day Eve event, the Bierkeller has invited representatives from local environmental organizations to be on hand to help us set the stage for the announcement of this year’s book selection.

A few hints: the author lives, works, and writes in Columbia, the book’s theme centers around nature, environmental responsibility, and climate change, and there are characters in the book that transcend perceived racial, gender, sexual orientation, and even biological divisions to remind us that we are all citizens of this planet.

Columbia city poet laureate Jennifer Bartell Boykin will read a poem dedicated to the city, and southeastern regional poetry event host Al Black has created a new poem inspired by the selected book. Dr. Melissa Stuckey, USC professor of History, will speak as will One Columbia’s Xavier Blake, All Good Book’s Jared Johnson, and the Jasper Project’s Cindi Boiter. There will be an interactive arts table for the children, environmental information booths, and various arts and crafts vendors will share their wares and talents with attendees. And, of course, beer, wine, and authentic German dishes will be available from the Bierkeller.

In addition to announcing the calendar of events for Columbia’s 2024 ONE BOOK  celebration, the pre-Earth Day event will also allow for the announcement of a Jasper Project – sponsored and ONE BOOK - inspired visual art, literary art, and singer-songwriter competition open to Midlands area artists with prizes and a 2024 ONE BOOK culminating party on September 22, 2024.

The ONE BOOK, One Community project began in the Seattle public library system in 1998 when Seattle librarians invited the community of greater Seattle to read and discuss the same book over the course of a summer. Columbia embraced the project first in 2011, and we enjoyed several years of exciting, thought-provoking programming centered around a singular book. One of our most exciting projects was in 2017 when the Columbia community read local author Carla Damron's novel The Stone Necklace, a detailed and ultimately uplifting story focusing on the power of community to combat poverty and homelessness and set in Columbia. Along with One Columbia for Arts and Culture and independent bookstore All Good Books, the Jasper Project has renewed the project focusing exclusively on books by SC authors.

While the title of the book remains embargoed until April 21st, media representatives may be made aware of the information upon request.

What will the selection for Columbia’s 2024 One Book be? Join us on April 21st from 3 – 5 pm at the Bierkeller, 600 Canal Street, Suite 1009 to find out!

For more information contact info@JasperProject.org

 

Join Us Under the Jasper Literary Arts Tent at Rosewood Art & Music Festival – October 7th

You’re invited to join the Jasper Project and some of your favorite local writers of poetry and prose under the Jasper Literary Arts Tent at the 2023 Rosewood Art & Music Festival on Saturday, October 7th from noon – 5 pm.*

You’ll get to hear some of your favorite Columbia-based writers read from a selection of their works, purchase their books, and then meet the authors and have your books signed.

*Authors will read during the first half of each hour and then sign and greet friends during the second half of each hour.

901 S Holly St, Columbia, SC 29205

 SCHEDULE OF EVENTS

Noon – 1 pm

Carla Damron

Jane Zenger

Sandra Johnson

 

1 – 2 pm

Evelyn Berry

Debbie Daniel

Susan Craig

 

2 - 3 pm

Terri McCord

Ann Chadwell Humphries

Robert (Bo) Petersen

 

3 – 4 pm

Jo Angela Edwins

Randy Spencer

Kristine Hartvigsen

 

4 – 5 pm

Al Black

Ed Madden

Cassie Premo Steele

For more information about the performing and visual artists you’ll see at the Rosewood Art & Music Festival, check out the festival website!

Jasper's Nightstand features Carla Damron's newest novel, The Orchid Tattoo, in an author-led discussion at Richland Library

The Jasper Project is excited to welcome Columbia-based author Carla Damron to discuss her newest novel, The Orchid Tattoo, at Richland Library on Sunday February 26th at 3 pm.

From The Southern Literary Review, September 2022 --

The pages of Carla Damron’s The Orchid Tattoo (Koehler Books, 2022) whiz by so fast, so easily, I have to say it is one of the best nail-biters I’ve read in a while. Not only that, this well-crafted thriller features a smart, likeable hospital social worker—Georgia Thayer—as protagonist. She is pitted against a human trafficking ring. In short, The Orchid Tattoo is a great read with a social message.

The opening shows Georgia, better known as George, in action interviewing a crazed patient in a Columbia, South Carolina, hospital. When the patient claims she hears the voice of a demon, George understands better than most. She, too, hears voices that years of therapy and medication have helped her to control.

If that’s not enough action and high stakes for the opening chapter, George’s brother-in-law David calls with bad news. Her sister Peyton is missing. Her absence is incomprehensible. She would not just abandon her beloved daughter Lindsay. She would not stop going to her grad school classes. And she would not leave without her cell phone. The race is on to find Peyton.

Some chapters are told from the viewpoint of a fifteen-year-old Kitten, who is trying to escape from Roman. He is a thug who runs prostitutes out of a run-down trailer. Some chapters are narrated by other women under the traffickers’ control. Damron does an excellent job of portraying those trapped by the trafficking ring without ever stooping to condescension or losing sight of their humanity. The girls and women are fragile yet strong, vulnerable yet tough, afraid yet brave. The American at the head of the operation calls himself Jefe—pronounced hef-fay. He has become extremely wealthy from human trafficking. While some of his prostitutes work in tawdry bars, others entertain an entirely different class of clients at Jefe’s exotic Orchid Estate. CEOs. Senators. Governors. But no matter where these women and young girls work, the threat of violence hangs over them constantly. Any mistake or attempt to escape leads to a vicious beating. Or death.

Since the police don’t approach Peyton’s disappearance with enough urgency and intensity to suit George, she launches her own investigation. She learns her sister had a secret project for one of her classes. Why would she keep it secret from her husband, her sister, even her classmates? What was she up to? Did her research for this project lead to her disappearance? The more George investigates, the more she feels she can’t trust anyone except Elias, a Black gay bar owner who is her closest friend. They bonded while in group therapy.

As the novel progresses, the stakes raise for all the characters, propelling us forward relentlessly. Some surprising twists add to the novel’s breathless climactic moments.

Like her protagonist Georgia, Carla Damron is a mental health professional. She holds a Masters in Social Work (USC) and an M.F.A. in creative writing from Queens University. In 2000, she was given the “Outstanding Mental Health Professional of the Year” award by the state chapter of the National Alliance for the Mentally Ill. She is a South Carolina native and lives outside of Columbia. Her novels include The Stone Necklace (winner of the Women’s Fiction Writers Association Star Award), Death in Zooville, Keeping Silent, and Spider Blue. Her books explore social issues like addiction, homelessness, and mental illness. Her short stories have appeared in Fall Lines, Six Minute Magazine, Melusine, In Posse Review, and other journals.

Columbia Author Carla Damron's New Fiction Deals with the Fight Against Human Trafficking

Advocate for human trafficking survivors pens thriller with a message of awareness and vigilance

Award-winning author and social worker Carla Damron, once named by NAMI as an Outstanding Mental Health Professional of the Year, uses fiction to address social justice issues, and her latest release is no exception. Emotion-driven, The Orchid Tattoo (Koehler Books, Sept. 30, 2022) is one part of Damron’s work as an advocate for human trafficking survivors and people with mental illnesses. Her previous work includes The Stone Necklace, winner of the 2017 Women’s Fiction Writers Association Star Award for Best Novel, which led award-winning author Pat Conroy to say “this is a novelist to be read again and again.”

In The Orchid Tattoo, social worker Georgia Thayer can balance her own mental illness with the demands of an impossible job. Mostly. But when her sister vanishes in the dead of night, her desperate quest to find Peyton leads to a multi-tentacled human trafficking network. When Georgia learns that her sister was brutally murdered trying to help a young victim called “Kitten,” she picks up where Peyton left off, and travels a treacherous path to expose the kingpin of the Estate, a luxurious brothel servicing rich and powerful men, and rescue his victims. Kitten is determined to escape. She won’t be trapped like the others. She won’t sell her soul like Lillian, victim-turned-madam, feeding the dark appetites of international business moguls and government leaders. Aided by Kitten, Georgia maneuvers to bring down the Estate and expose its dark secrets, but her efforts place her--and the very few people she allows to get close--in grave danger.

Continuing her advocacy work, Damron is partnering with Doors To Freedom, a non-profit that provides safe places for survivors of trafficking. They offer housing, education, treatment, and even vocational opportunities for teens and young adults who have been impacted by this issue. Their vocational program includes a cottage industry that makes cuff bracelets which you can purchase on their website. Damron hopes to promote the organization by selling bracelets at her signings, handing out information at her events, raising money, and donating a portion of her royalties. You can find out more at their website: 


“The Orchid Tattoo”

Carla Damron | September 6, 2022 | Koehler Books | Crime Fiction

Hardcover | $32.95 |978-1-64663-765-2

Paperback | $21.95 |978-1-64663-763-8

  

Carla Damron is a social worker, advocate and author whose last novel, The Stone Necklace (about grief and addiction) won the 2017 Women’s Fiction Writers Association Star Award for Best Novel and was selected as the One Community Read for Columbia SC.  Damron is also the author of the Caleb Knowles mystery novels and has published numerous short stories, essays, and op-eds. Damron holds an MSW and an MFA. Her careers of social worker and writer are intricately intertwined; all of her novels explore social issues like addiction, homelessness, mental illness, and human trafficking. In her spare time, Damron volunteers with the League of Women Voters, Sisters in Crime, Palmetto Chapter (President), her church, and Mutual Aid Midlands.


Writer Carla Damron is More Than a Writer and a Social Worker - She Uses Her Art to Shine a Light on Some of Our Greatest Social Woes Including Homelessness and Human Trafficking

“I didn’t realize” were words I often heard in my work. They applied to me, too, back when everything I knew about human trafficking came from episodes of Law and Order. My first awakening occurred when asked to be a guest lecturer at a local college. I mentioned the beginnings of our anti-human trafficking advocacy when a student raised her hand and said, “You mean, like that girl they found in the trailer a few miles from here?”

Carla Damron, author of The Stone Necklace and the upcoming The Orchid Tattoo

I first met Carla Damron when I was working with the Richland Library and One Columbia to grow the One Book/One Community program in Columbia, SC. My personal goal for that project was to always choose a South Carolina writer for our community to read and I had lots of reasons why.

First, I believe it’s important for communities to recognize and support the truly talented among us in any way we can. But second, it’s incredibly important for us to see our friends and neighbors who accomplish major goals and be encouraged by them. Ride their mojo and use it to your own advantage!

The book we chose for our community to read, in conjunction with The State news which published the manuscript in part, was Carla’s 2016 novel, The Stone Necklace, set in Columbia, SC and published by the University of South Carolina Press’s Story River series, curated by the late Pat Conroy.

(I’m not sure what happened to the One Book/One community project since I’m not involved anymore, and neither is the Jasper Project. But, as an aside, I’d love to see it come back to Columbia and I’d love to see it adhere to the loose protocol developed by the Washington Center for the Book at the Seattle Public Library when the project was initiated in 1998. Hit me up if you’d like to work on getting this beautiful community project back up and running and are willing to work on it yourself. It’s a relatively easy project if you have a few volunteer hours in your pocket that you are willing to share.)

I’ve written about Carla Damron a number of times since we first met, and we’ve worked on projects together. She is quite a specimen of humanity in her goals and priorities, and I’m fortunate to call her my friend, writing sister, and fellow Columbian.

Today I want to direct you to two (more) outstanding contributions to our culture that Carla has so generously shared with us.

The first example is a recent essay Carla wrote on the issue of human trafficking and posted on her website. The title is “I Didn’t Realize — The Story Behind the Orchid Tattoo.” You should know that the Orchid Tattoo is the title of Carla’s upcoming novel, releasing on September 6th, 2022 from Koehler Books. This essay is linked above.

But secondly, Carla shared a piece of prose writing that I was delighted to share in the most recent issue of Fall Lines - a literary convergence. For your reading pleasure we present, “Breaking the Surface.”

Breaking the Surface

by Carla Damron

The olive green 1967 Mercury Marquis station wagon bulged with suitcases, bedding, groceries, floats, and our family. My father drove, my mother beside him, a Virginia Slim squeezed between two pink-nailed fingers. Crammed in the back seat: my teenage sister Susan, engrossed in a Nancy Drew novel, me, age nine, in the middle, and my eight-year-old satanic younger brother Freddy to my right. It felt like the drive to Surfside Beach took centuries, though really it took less than three hours. I smiled as we passed the bright blue billboard with the cartoon dolphins leaping into the air. It advertised the best store on earth, known for its pet fiddler crabs and mammoth shark’s teeth that could be purchased for less than my allowance. Every vacation to Surfside included a day at the Myrtle Beach pavilion and a visit to the beloved “Gay Dolphin.”  

            Freddy squirmed like the worm that he was, a bony elbow catching me in the ribs. “Quit elbowing me. Mom, Freddy’s elbowing me again,” I complained, for all the good it did me. I had a permanent concave space under the right side of my ribs.

            “She’s hogging up too much space with her fat butt,” Satan said.

            “Y’all behave. We’re almost there.” Mom let out a loud sigh as she flicked on the radio.

            “You said that a half hour ago.” Susan peeked up from her book, eyebrows arched in criticism.

            Mom tipped the ashes of her cigarette out the partly opened window. Smoke circled the inside of the car and found its way into my nose. I coughed.  

            “Here comes a VW,” Dad said.

I struck first, a quick-knuckled punch on my brother’s arm. “Punch buggy! No take-backs!”

“MOM!” he bellowed, as if I’d hacked him with a machete.  

“Arnold, seriously?” Mom tsked Dad. “Why do you encourage them?”

I spotted Dad’s sly smile in the rearview mirror.

“I’m going swimming as soon as we get there,” I said.

“Not until we get everything unloaded. And that means all of you helping.” Mom flicked the cigarette out the car, a pale torpedo barely missing the back window.

            I settled back in my seat, gaze fixed out the window, and counted speed limit signs. How many until Surfside? Twenty? A hundred?  I had reached number seventeen when another smell filtered through the windows: the unmistakable odor that meant Georgetown.  

            “I smell an egg fart! It’s probably her!” Freddy elbowed me again.

            “I wish they’d do something about the paper mills,” Mom said, like she did every time we came.  I didn’t care about the stink. Because if I closed my eyes, the Sulphur odor faded, and the distinct fragrance of salt, tanning lotion, and sea air filled my mind. I almost tasted my ocean.

***

            Finally, blessedly, we pulled up to the yellow wooden beach house perched on stilts. The checkerboard linoleum-floored kitchen had the basics: single sink, stove, refrigerator, and oven. Susan helped Mom unload the groceries, while Dad did the heavy lifting and Freddy and I fought over bedrooms—simple rooms, with no air conditioning, and generic paintings of seashells over white-washed dressers. 

            Mom tasked me with putting linens on the beds while my brother stocked the bathroom with soap, toilet paper, and towels. We both moved with lightning speed so we could scurry into our swimsuits and flip-flops and head down to the beach. Dad halted us at the screened porch.

            “Nobody swims until your mom or I are ready. So plant your fannies in those chairs and wait.”

            Wait. The hardest word for a kid, and one we heard many times a day. I pushed back and forth in the squeaky rocker as I stared out at sea-oats rippling above sand dunes. The quiet pounding of waves and squawk of seagulls called to me, but I had to WAIT.

            Inside, voices swelled in an argument about missing extra towels. “Really, Arnold. I ask you do to ONE thing,” Mom said.

            “One thing? Who loaded the wagon? Who gassed it up? Who DROVE us here?” Dad didn’t yell, but sort of laughed it out, like Mom was being ridiculous, a tone that might infuriate her and further delay hitting the beach.

            Freddy and I both stopped rocking. No response from her. Good.

Finally, the rest of my family emerged, Susan in her new bikini, Mom in a black one-piece and floppy hat, and Dad in trunks and an unbuttoned shirt, with an embarrassing stripe of white stuff over his nose which was prone to sunburn.  We jumped from our chairs and banged through the screen door, all a-bundle with towels, chairs, rafts, suntan lotion, playing cards, plastic buckets, and a thermos of Kool-Aid. Another container peeked out of Dad’s pocket: silver, small, and shiny, something he rarely went without.

The narrow board walk carried us over the last sand dune and I saw it: a blue-green expanse, white froth in stuttered lines across it. The sky a bold blue that stretched forever. Freddy and I dumped our belongings, kicked off our flip-flops, and dashed to the water. Susan remained with our parents, stretching herself on the blanket and slicking on suntan oil.

Waves crashed over me, surprisingly cold. At our salty feet, the undertow signaled a waning tide. It didn’t matter. Satan splashed me, and I splashed back, and we laughed and dove into a cresting wave. 

When we emerged, sputtering, soaked, and sandy, Dad met us ankle-deep in water. He handed us an inflated raft. “Take turns with this one until the other one’s ready,” he said.

Take turns, he said, like sharing was remotely possible. Freddy grabbed the raft, held it over his head, and trudged out to where the waves were breaking. When a big one surged, he hurled himself on top of the canvas float and rode it to shore like a cowboy on a bucking stallion. “YEEESSSS!” he yelled, as he climbed off.

“My turn,” I said.

“In a minute!” He sneered at me and hurried back to where the waves were cresting, no easy feat with the smaller waves slapping against him.

Another spectacular ride, and my jealousy erupted. When would I get a turn? When Dad finished blowing up the other raft? I glanced at the beach to find him engrossed in a card game with Susan, as though my uninflated float had no importance AT ALL.

“MY TURN!” I bellowed.

Freddy wagged the float at me, and I would have jumped on his head and dunked him if he’d been close enough.

            His third ride was a letdown, a smallish wave that fizzled a few feet from where he started. He stood up and shook sand from his swim trunks.
            “Ha!” I laughed at him.

He tossed the raft at me. “See if you can do better.”

I would do better. I tugged the raft out beyond the foamy sea caps, determined to find the biggest, most powerful wave which I’d ride like a rodeo champion. As the first few rolled under me, I looked further out, and saw it. A giant, magnificent wave rolling in.

I hopped aboard the raft and paddled as hard as I could, hoping to be just ahead of where it broke.  I timed it perfectly. It peaked, white froth exploding against the backs of my legs.

The raft took off like a Thoroughbred. I held on with all my might, holding my breath against the salty water splashing my face. Maybe my family watched this courageous ride, but I all I saw was the roiling foam.

My mount betrayed me. The raft swiveled, the back end pushing forward so that I was lying parallel to the wave. I stroked against the current, desperate to straighten, but it flipped over.

The force of the water pulled me under. I had no air in my lungs. My feet felt for the bottom, but instead felt the unmistakable tug of undertow pulling me out to sea.

I sank as low as I could, touched sand, and pushed, my hands pointed above me. For just a second, my face felt air and I sucked in a deep, frantic breath before another wave pounded me down.

Underwater again, I did my best to swim in what I hoped was the direction of shore. The undertow was a hungry force. My arms and legs ached against its power, but I kept on. When I bobbed up for another gulp of air, another wave knocked me under. And once again, I swam.

When I surfaced again, I saw the shore. Almost there, but not quite, and I felt so tired. A hand gripped my arm. I almost fought it, but I had no fight left in me, and the hand pulled and guided me until I stood on sand, safe, chest-deep in water.

“The float came in without you,” Freddy said, releasing my arm.

I nodded, unable to speak, as my air-deprived lungs sucked in breath.  

On the blanket on the beach, my mom thumbed through a magazine. My sister dealt cards to Dad, who sipped from his little container. 

“Maybe we should go up?” Freddy asked.

I shook my head. I trudged through the water to the shallowest part and dropped, my heels sinking into the wet sand. My brother sat beside me. The abandoned raft rested on the beach behind us. Three pelicans flew by, skimming the surface of the water.

“Hey, look!” Freddy said.

I tried to see what he was pointing to in the endless green water. It was less friendly than before. “What?”
            “Wait just a second. There!” He grabbed my hand and aimed it towards the descending sun. 

            Two gray lumps emerged, breaching the surface and arcing high above the water before submerging again. Two dolphin.

            “Whoa,” I whispered, not wanting to my voice to scare them away.  They erupted twice more, magic silver beings in a synchronized water ballet, before vanishing into the horizon.

            “Have you ever seen anything more beautiful?” I asked.

            Freddy didn’t answer.

Voices cut through the sea air from behind us: an argument between Mom and Dad about dinner arrangements. I let the pounding of the waves drown them out. For the next six days, I had the sand, my ocean, and one of two inflated rafts.

I would keep steady vigil, in case the dolphins came back.   

~~~~~

 Carla Damron is a social worker, advocate, and author of the novel The Stone Necklace, the recipient of the 2017 WFWA Star Award for Best Novel. Damron also authored the Caleb Knowles mysteries as well as numerous essays, and short stories. Damron’s careers of social worker and writer are hopelessly intertwined; all of her novels explore social justice. Currently Damron volunteers with Mutual Aid Midlands, League of Women Voters, and is the president of a local Sisters-in-Crime chapter. She works for Communities in Schools and Rutgers University. 

http://carladamron.com/

Supper Table spotlight: Olga Yukhno and Carla Damron Honor Sarah Leverette

We’re featuring the artists from the Supper Table project throughout the summer. This is the 5th in our series on Supper Table Artists.

An overhead view of Olga Yukhno’s place-setting honoring Sarah Leverette

An overhead view of Olga Yukhno’s place-setting honoring Sarah Leverette

Originally from Russia, visual artist Olga Yukhno lives in Columbia, South Carolina, where she is the Gallery Director for the School of Visual Art and Design at the UofSC. After learning and creating in multiple art forms, Yukhno found a home in ceramic sculpting, where she feels that she has no limits.

With ceramics, Yukhno can create anything that she can imagine and even those which she can’t. No two of her completely handmade pieces are identical. Yukhno has used the limitless possibilities of her craft to create a place setting in honor of Sarah Leverette for the Supper Table.

Sarah Leverette was, and is, a powerful inspiration to women in and outside of South Carolina, having spent her life breaking glass ceilings wherever she went, from the Civil Air Patrol to the School of Law at USC.

Yukhno’s place-setting honors all the different aspects of Leverette’s remarkable life. The artist says she wanted to use her piece to “show the parts of her life that were the most significant and impressed her the most personally.” Having been impressed by Leverette’s quotations, she incorporated them all around the border of her place-setting, using small wing symbols with the logo of the Civil Air Patrol.  From there, each layer from bottom to top represents a different period of the subject’s life.

As Yukhno says, the book represents her contribution to the library system of South Carolina, to which she dedicated 15 years of her life. Despite her contributions, school officials at USC would not make her faculty because she was a woman. The next tier of Yukhno’s place setting contains multiple nails, which represent the obstacles Leverette faced to become a full professor.

The very top culminates in a bowl showing a fist having just broken through a glass ceiling. As Yukhno says, “Leverette’s whole life was dedicated to fighting for women’s and civil rights, and the element of this broken glass is repeated throughout the piece to show the relevance of this pursuit throughout her lifetime.”

Finally, the goblet was created with multiple hands supporting it, to “show that in everything she did, she always built other people up.” Leverette was a mentor to many well-known lawyers who themselves brought about significant changes and continued the fight for people’s rights.

 

Supper Table detail olga - leverette.jpg

Carla Damron is a professional writer (The Stone Necklace, USC Press, 2016) who uses her experience as a social worker throughout her work, as witnessed in her novels Keeping Silent and Spider Blue. Damron has spent over 20 years focusing on her work in mental health, where she connects this to her novels in hopes to fight stigmas surrounding the topic of mental illness. Her very own clients have been her best teachers.

Damron used her background to tackle the task of writing a creative non-fiction essay about the life of Sarah Leverette, a task she was more than ready to tackle and conquer. As Damron says, “[Leverette’s] words, and her spirit, live and breathe in our state’s constitution, its code of laws, and in all the people she touched.”

The following is an excerpt from Damron’s essay on Leverette:

Sarah always wanted to emulate her heroes Lindbergh and Earhart. And now, as a member of the Civil Air Patrol, she was about to take her first flight.

She climbed a ladder to the biplane wing, grabbed hold of the edge of the cockpit, and hauled herself into the copilot’s seat. She grasped the seatbelt and clicked it into place. Snug goggles covered her eyes. Behind her, the pilot started the plane, which gave a little shimmy as it roared to life. Breath entered her lungs in short gasps. She was nervous. Excited. Ready. 

They moved. The plane bumped and rattled up the runway, getting louder and louder as the pilot lifted the throttle. Sarah held to her seat and swayed with the movement. 

Faster. She couldn’t see the speedometer but knew they were approaching eighty-five, full throttle, as the nose of the plane tilted up. As they lifted off, all smoothed.  

She looked above, the sky a vast blue bowl with a few feathers of white. She looked down: Trees became green pencil pricks. A wide, turbulent river was just one of many of Earth’s many arteries. Everything was different here. How wide the world is, she realized, when you are away from the clutter of land.

To read more of Damron’s essay and to see more of Yukhno’s place setting, be sure to reserve your copy of Setting the Supper Table at the $50 sponsorship level or above on the Supper Table’s Kickstarter campaign page at the link below, and join us this September as we unveil the Supper Table for the first time.

Kickstarter: https://www.kickstarter.com/projects/thejasperproject/the-supper-table.

 

It's JAY Season - Vote Now! VOTE HERE!

2016-jays A really good year.

Every artist has one now and again. A period of time when the universe smiles upon you, life just seems to click, and you have the energy to get done all the jobs you need to do.

It’s a brilliant feeling. And we like spreading that brilliance around. That’s why we asked our readers to nominate the artists in their lives who have had one of those really good years. Then, our panel of experts took a look at the list of nominees and winnowed it down to the top three artists in each discipline who seemed to have the very best years of all.

Below, you’ll read about these 12* artists and have the opportunity to register your vote for which artist in each field should be named 2016 Jasper Artist of the Year.

Winners will be announced at the 2016 Jasper Artist of the Year Gala & Columbia Christmas Carol Lip Sync Championship on December  2nd.

~~~

VOTE HERE!

~~~

Literary Arts

Carla Damron

Carla Damron’s most important work for the year was the publication of her literary novel, The Stone Necklace, by Story River Books, a division of USC Press. The Stone Necklace was also chosen as the One Book, One Community selection for February 2016 which led to multiple events and appearances, which gave Damron the opportunity to explore the intersection of art and social awareness with hundreds of people (including a presentation at the SC National Alliance for Mental Illness conference). Damron has completed approximately 30 book club presentations thus far, with more scheduled. Damron’s other works include a submission to the Jasper Project’s Marked By Water collection, monthly blogs on the Writerswhokill website, a quarterly column in the SC Social Workers newsletter, and the completion of her fifth novel, which is now in her agent’s hands.

Len Lawson

Len Lawson’s many poetry publications this year have included the following: “Briefcase of Little Tortures,” in Up the Staircase Quarterly, “Down South,” in Charleston Currents; “I Write My Body Eclectic” in [PANK] Magazine; “Feel the Vibration: Marky Mark & the Funky Bunch, A Retrospective” in Yellow Chair Review; “Church Fan,” “Niger (Or the Country Missing a Letter,” and “When a White Man in Camden Tells You to Act Like  You Got Some Sense,” in Drunk in a Midnight Choir;  “Google Search for Black Lives Matter” in Winter Tangerine Review; “ The Black Life Anthem: Unarmed Black People Killed by Police or Dying in Police Custody Since 2012*” in Free Times; “For the Dead Whose Caskets Flowed Out of Graves After the South Carolina Flood,” “12 Year Old Inside Me Seeks a Father Figure,” “Uneasy Dreams of a Presidential Hopeful,” and “The Body is a Cave” in Connotation Press; “  George Zimmerman as Jack in Titanic Painting Trayvon Martin as Rose” and “Krack” in Public Pool; and, “The Invitation” in Get Free Books.

Ray McManus

This year, along with R. Mac Jones, Ray McManus co-edited the anthology Found Anew: Writers Responding to Photographic Histories which was published by USC Press and nominated for the Lillian Smith Book Award. He published the following poems: “Caveman Survey,” “How Boys are Measured,” and “Manspread,” in The Good Men Project; “For the Hardest to Reach Places” in Prairie Schooner; “Dog Box,” “Disturbing Remains,” and “Staying in the Truck” in Hard Lines: Rough South Poetry from USC Press; “When a Dog Comes Back Rabid,” “We Were All Dead Once,” and “Natural Selection,” in Red Truck; “Ask Your Doctor,” “Origin of Species,” “In the Absence of Protection,” and “The Descent of Man” in The Dead Mule School of Southern Literature; and, “Ruts” in The State of the Heart Volume II, from USC Press. McManus participated in community projects that included the Tri-District Arts Consortium, The Carolina Master Scholars program, Serious Young Women Writers Workshop, Poetry Out Loud Region II Competition, High School and Middle School ABC Site Training, Word Fest Charlotte, and the Center for Oral Narrative and gave readings at Festival for the Book in Nashville; Pat Conroy Lit Fest in Beaufort: LILA Author Event in Charleston; Book Tavern in Augusta GA; Deckle Edge Literary Festival as well as Mind Gravy in Columbia; the Upcountry Lit Fest; Two Writers Walk into a Bar in Durham NC; and, the Scuppernong Book Store, Greensboro NC.

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Visual Arts

Kendal Jason

Kendall Jason's work this year has included quite a few multidisciplinary performance art pieces including the following at The 701 CCA South Carolina Biennial 2015 comprised of Speak to Me: "I've been mad for fucking years, absolutely years, been over the edge for yonks, been working me buns off for bands..." as well as, "I've always been mad, I know I've been mad, like the most of us...very hard to explain why you're mad, even if you're not mad" and Far away across the field, The tolling of the iron bell, Calls the faithful to their knees. To hear the softly spoken magic spells, both with reconstituted performance costumes; Lunatic on the Grass and

Breathe, a single channel video. Jason also created the "Goin Down the Road Feelin Bad" performance at Tapp’s Arts Center In conjunction with Michaela Pilar Brown, and The Transitioner Episode 1- "Who Do You Love"- 3 night performance at 701 CCA. For the Da Da Desque Exhibition 701 CCA, he created The Bags (50lbs Zombie Drawings), The Uniform (Custom Uniform for Work and Play), Episode I, Who Do You Love (Live video), and Ol' Man. He performed at Artista Vista as The Transitioner Episode 2, producing Corn hole Bags (50lbs Zombie Drawings), Extra Large Corn hole boards (Fear Vs. Fan Zombie Cheerleader drawings), and Zombie Drawings.

Michaela Pilar Brown

Among the programs that have occupied Michaela Pilar Brown’s time of late are Summer Arts Residencies in both Sedona Arts Center in Sedona, Arizona as well as one in Kunstlerwerkgemeinschaft Kaiserslautern, Germany. She also served as a visiting artist at Claflin University, Central Piedmont Community College, and at Tapp’s Arts Center, here in Columbia. She was featured in a film by Roni Nicole Henderson as well as one by Wade Sellers, and her work, Speak No’, 2011 was acquired by the Columbia Museum of Art. Her exhibitions included 15-Jahre-Künstlerwerkgemeinschaft volksbank Kaiserslautern; Artfields in Lake City; a solo exhibition and site specific performance, I’m a boss my house, at If Art Gallery; a two-woman show and site specific installation and performance called Making Time Marking Forever at Carrack Contemporary Art in Durham, NC; The Mother Wound site specific performance at Spelman College in Atlanta; Remix – Themes and Variations in African American Art at the Columbia Museum of Art; Wet Hot Southern Summer Group Exhibition at The Southern Gallery in Charleston; Where They Cut Her I Bleed – Site Specific Installation/ Solo Exhibition and Performance at Tapp’s Arts Center; The Space Between – Solo Exhibition and Performance at McMaster Gallery, University of South Carolina; Ruptured Silence Multimedia Performance and Collaboration with Wideman Davis Dance and Darion McCloud at Drayton Hall, University of South Carolina; Liquor and Watermelon Will Kill You – Solo Exhibition at Rebecca Randall Bryan Art Gallery in Conway; and Red Dirt and Doilies – Solo Exhibition at Sumter County Gallery of Art in Sumter.

Lauren Chapman

Among Lauren Chapman’s accomplishments this year was winning second place in the 61st Annual USC Student Art exhibition for the painting Still, and her painting The Flood was featured at the ArtFields Festival 2016 in Lake City as well as being published in the 2016 ArtFields catalog. In May, Chapman had a joint exhibition at Tapp’s Art Center and in August she showcased 25 oil paintings in her first solo exhibition and artist talk, titled Repetitions at the Pearson Lakes Art Center in Okoboji, IA. Chapman was awarded the Yaghjian Studio arts scholarship at USC and received a fully funded art residency at the international center for the arts in Monte Castello, Italy which she attended in June. Finally, Chapman’s oil painting the white rabbit was selected for the "Figure Out" Planned Parenthood exhibition in August.

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Music Arts

Mark Rapp

If there’s a linchpin of Columbia’s jazz scene, it’s probably trumpet (and didgeridoo) player Mark Rapp. In addition to balancing a steady stream of gigs around the city with his constant national and international travel, Rapp has kept busy orchestrating a steady stream of recordings, including a long overdue set from jazz patriarch Skipp Pearson and two efforts under his The Song Project Series with guitarist Derek Bronston. And, as part of the Harbison Theatre Performance Incubator Series, Rapp teamed up with professional choreographer Stephanie Wilkins to create Woven, a unique collaboration that combines jazz and contemporary dance that stands as one of the most innovative original performance pieces created in Columbia in recent years.

Dylan Dickerson

Although he’s one of the most affable and easygoing artists in town, when Dylan Dickerson steps on stage with his band Dear Blanca and starts playing music that person seems to slip away. With his post-punk-meets-Hendrix approach to playing guitar and an unadorned bawl of a voice, Dickerson stands clearly out among his peers. His lyrics, pondering and painstaking, feel like anthems for twentysomethings who want to make it plain that their disaffection and distress should never be mistaken for apathy.

Dear Blanca started out slowly but over the past year seems poised to make the next step, releasing two EPs--one produced by Triangle veteran Scott Solter (Mountain Goats, St. Vincent, Spoon), the other by Charleston’s producer-of-the-moment Ryan “Wolfgang” Zimmerman of Brave Baby--that hold to Dickerson’s idiosyncratic vision of folkie Townes Van Zandt drinking at a bar with D. Boon of the Minuteman while proving that Dear Blanca is a band capable of making music every bit as captivating as their heroes.

Justin Daniels

As much as Columbia has begun to champion its hip-hop veterans like FatRat da Czar and Preach Jacobs, there’s no denying that much of the energy of the genre still lies with a powerful younger generation that is still forging its own identity. Of the newer crop of emcees in the Capital City, Justin Daniels, who raps under the moniker H3RO, is one of the best. His December release Between the Panels, despite its DIY sensibility, plays like a masterclass in how to embrace youthful swagger with a keen sense of history. His comic book motifs and love of pure bars harkens back to Wu Tang Clan; the joyful soul samples and backpack rap self-consciousness to Lauryn Hill and early-period Kanye West; and his charismatic exuberance not unlike current rapper-of-the-moment Chance the Rapper. Daniels is still hustling, but his past year suggests the sky is the limit.

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Theatre Arts

Baxter Engle

A perennial behind-the-scenes magic maker, Baxter Engle has served over the past year in the following productions: Marie Antoinette (Sound Design); Blithe Spirit (Scenic Design); Peter and the Star Catcher (Scenic and Props Design); American Idiot (Scenic and Video Design); and, Anatomy of a Hug (Scenic and Video Design.) In addition to handling the creative aspects of design, Engle is hands-on throughout the productions from conception to the birth of the show.

Robert Harrelson

The consummate theatre man, Robert Harrelson is the executive director and owner of his own company, and all the hard work and minutiae that implies, with On Stage Productions, a non-profit theatre company in West Columbia. This year, Harrelson directed Little Shop of Horrors, Twisted Carol, Miracle in Memphis, Crimes of the Heart, and Oz: Dorothy’s Return, which he also wrote. He also teaches ongoing acting classes.

Hunter Boyle

In January 2016 Hunter Boyle performed in a staged reading of Composure, a screenplay by Jason Stokes at Trustus’ Side Door Theatre, playing “Pitchfork” Ben Tillman and several other characters. Next, he performed at Trustus Theatre, where he is a Company member, in Peter and the Star Catcher, playing the roles of Mrs. Bumbrake and the mermaid called Teacher. Following that, Boyle performed with the South Carolina Shakespeare Company, where he is also a company member, playing Sir John Falstaff in The Merry Wives of Windsor. Boyle taught several Master Classes in Musical Theatre (how to tell a story through song) and Acting (how to develop/train your voice effectively for stage work) for the Trustus’ Apprentice Company, as well as a total of five classes (three classes in the fall and two classes in the spring) of Introduction to the Theatre at USC Aiken. Boyle is currently a member in good standing of the Actor’s Equity Association-the union of professional actors in the US, as well as the Screen Actor’s Guild and the American Federation of Television and Radio Artists in the US. As of the nomination cut-off date, Boyle is currently rehearsing the role of Dr. Scott in The Rocky Horror Picture Show at Trustus Theatre, being directed by Scott Blanks.

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(*The 2016 JAY in Dance will not be awarded this year.)

Vicky Saye Henderson Offers Improv Event Based on The Stone Necklace

Vicky Saye Henderson Jasper: You're involved with One Book, One Community's 2016 selection, The Stone Necklace by Carla Damron, in a couple ways, right? I know you created the audio version of the book - what was that like?

VSH: Partnering with the USC Press team, Carla, and Ron Whitten at the SC State Library has been incredibly rewarding and a great joy. I feel so fortunate to have been invited to participate. This was a completely different way of exploring a narrative for me compared to simply reading a novel or preparing text for stage. It challenged me to prepare differently and stay in touch with the tempo, tone, and pulse of the story and its characters.

Jasper: Was this the first book you've recorded?

VSH: Yes, this was the first audio book I've done. In preparing for the audition taping, I asked the Richland Library staff to assist me in pulling some award-winning high quality audio books, I took them home and studied them. I noted and considered what seemed distinctive regarding the narrator's choices for voicing the text, and employed some of those things in both my audition and ultimately our recording of the book. Luckily, those things seemed to work!

Jasper: Tell us about the process. How long did it take?

VSH: A week before we started recording, I met with Carla to talk about the book, its characters, her writing process, and more. We then began recording in mid-October.Typically, we would record for 2-3 hours a session twice a week. Ron Whitten (recording director) and I found that we made for a great team. His years of experience and knowledge got me quickly acquainted to this new medium, and our intuitive combined ear for keeping the quality consistent kept us on target. We logged over 40 hours in the recording studio. Jonathan, Carla and other key staff came by during sessions to listen in and were consulted during our process. It was a highly collaborative experience.

Jasper: Have any of your friends or family listened to your recording and, if so, what did they have to say about it?

VSH: Yes, Jim Dukes listened to some early parts of the first few chapters. What he said was interesting to me---that he could very distinctly see in his mind's eye all the colors and textures of the story in ways that just reading a book had not afforded him in the past.

Jasper: Is it something you'd like to do again?

VSH: Absolutely! I loved doing it. I really like the team of people I've come to know, I grew as a performing artist, and I found and added a totally new means of being a storyteller.

Jasper: Now, can you tell us about the improv event you'll be conducting for The Stone Necklace on Tuesday, February 11th at 7 pm at Tapp's Arts Center?

VSH: I've heard it said that two ways we can create more empathy in our lives are to read more novels and take an improv class. This event combines both elements! We will be "walking through the halls" of this book and exploring its story lines, characters and settings (the book is set in Columbia, SC) via interactive improvisation techniques. It's not about performance, but rather about becoming co-explorers of story using Carla's existing elements as prompts. A whole new way to appreciate an author's work.

Jasper: How can the public be involved in this and what do they need to do to prepare?

VSH: There's nothing to bring or do to prepare for the event. Come with a curious spirit and willing heart to learn about the book, engage your creativity, see things from a new perspective, and apply your own point of view.

Jasper: How would we benefit from participating?

VSH: It will be a new and more intimate way to meet a story and its creator. People will get to know one another in the room, and hopefully learn a little about the highly versatile medium of improv as a tool for discovery and collaboration.

Jasper: Do we need to have read the book first?

VSH: No prior reading is necessary. An overview of the story will be given and excerpts from the novel will be read.

Jasper: Finally, what's your favorite thing about (or part of) the book The Stone Necklace?

VSH: The two things I appreciate most about this book is the keen, intuitive and seamless way Carla weaves the stories of these seemingly different people into a common tapestry, and her choice to set it in Columbia, SC. I became very emotionally invested in the characters very quickly (especially one character, Joe), grew to appreciate their individual and combined roads of healing, and saw my city through a new lens.

 


 

Vicky Saye Henderson is a performer and teaching artist, whose projects include live stage, film, TV, voice-overs and cabaret. On staff at Trustus Theatre, she serves as Director of Education and Professional Development.  She is also a member of Trustus' residential performing ensemble, appearing most recently in The Great American Trailer Park Christmas Musical. She is the recipient of the SC Arts Commission's 2015 Individual Artist Fellowship in Acting and was named the 2013 Jasper Artist of the Year in Theatre. She received her improv training in Orlando, FL (KVG Studios) and is co-director of Trustus' Improv and Sketch Comedy master track Apprentice Company program. Vicky recently provided vocal narration for USC Press' audiobook of Carla Damron's novel, The Stone Necklace. 

 

PROGRAM DESCRIPTION:

Come and be introduced to Carla Damron's new novel, The Stone Necklace, in a highly active way! Trustus Theatre Ensemble member and Director of Education, Vicky Saye Henderson will use the versatile medium of improvisation to explore the novel's narrative, its characters and setting, the author's process in fun, unexpected and non-traditional ways using readings, music, audience interaction and more.

The Stone Necklace Sparks Multidisciplinary Arts Events

Damron_cover.indd  

In celebration of the 2016 One Book, One Community selection, The Stone Necklace by Carla Damron (USC Press, 2016) a number of multi-disciplinary arts events are planned to more fully enjoy the community reading experience, including a three-person photography exhibit opening on Thursday, February 4th with a panel presentation by the participating photographers. In the weeks to come additional programs involving theatre arts and music, all inspired by a reading of The Stone Necklace, are also planned.

Set against the backdrop of contemporary Columbia, South Carolina, The Stone Necklace braids together the stories of a grieving widow, a struggling nurse, a young mother, and a homeless madman, reminding us of the empowering and surprising ways in which our lives touch one another and through which, together, we recover from even the greatest of losses. Bestselling and award-winning author Mary Alice Monroe praises The Stone Necklace as “a celebration of the transformative power of shared experiences and of the connections that bind us.”

 

Cemetery by Thomas Hammond

 

Off Page – Photography: Artists Respond to The Stone Necklace will open on the Tapp’s Arts Center on Thursday, February 4th as part of the First Thursday celebration of Columbia arts. Columbia photographers Thomas Hammond, Robert Coffey, and Kristine Hartvigsen, having read advanced copies of the novel, will show the work they created in response. A brief panel presentation discussing the exhibit will take place at 7 pm in the Fountain Room downstairs at Tapp’s. https://www.facebook.com/events/542294492601031/. Free.

 

Vicky Saye Henderson

 

Off Page – On Stage: Imrov with Vicky Saye Henderson will take place on Thursday, February 11th at 7 pm in the Skyline Room of Tapp’s Arts Center.  In a program created by local theatre artist and educator Vicky Saye Henderson based in part on Damron’s novel, Henderson will lead an improvisation workshop and demonstration. https://www.facebook.com/events/1188116441213546/.  Free.

 

Cully Salehi and Todd Mathis

Off Page – Music: A Musical Response to The Stone Necklace featuring original work created by Todd Mathis and Cully Salehi in response to the novel The Stone Necklace will take place on Saturday, February 20th at 7 pm at the Deckle Edge Literary Festival Saturday Night Reception at Main Street Agape. Tickets available via Brown Paper Tickets.

The above events are presented via a partnership between One Book, One Columbia, One Columbia for Arts and History, Jasper Magazine, The University of South Carolina Press, and Richland Library.

About the Artists

 

South Carolinian Carla Damron is a fiction writer, clinical social worker, and author of the Caleb Knowles mystery novels Keeping Silent, Spider Blue, and Death in Zooville in which she explores addiction, homelessness, and other social issues. Her short stories have appeared in Fall Lines, Six Minute Magazine, Melusine, In Posse Review,and other journals. Named the 2014 South Carolina Social Worker of the Year, Damron holds an M.F.A. in creative writing from Queens University and a master's degree in social work from the University of South Carolina.

Thomas Hammond is a freelance photojournalist from Columbia, South Carolina specializing in human interest, political, and cultural stories from the heart of the American South to the Middle East and wherever else the road takes him. In 2015, he won a South Carolina Press Association award for his work documenting the war and humanitarian crisis in and around Syria. More recently, he's covered local stories such as the removal of the Confederate flag, the devastation of the recent floods, and the evolution of the local music scene.

Born in San Francisco, California, Kristine Hartvigsen earned a bachelor’s degree in education and completed graduate studies in journalism at the University of South Carolina. She began her journalism career in the mid-1980s at The State and The Columbia Record newspapers. She is a past editor of South Carolina Business and Lake Murray-Columbia magazines as well as a past associate editor of Jasper magazine. Her photography has been published in:  Sandlapper, South Carolina Business Monthly, Lake Murray-Columbia, Columbia Business Monthly, and Jasper magazines; in The State, the Free-Times, the Myrtle Beach Sun News, Lowcountry Life, and the Georgetown Times newspapers; as well as in print and online publications of the South Carolina Chamber of Commerce, The Nature Conservancy of South Carolina, and the South Carolina Education Association. In 2012, Muddy Ford Press published her first poetry collection, To the Wren Nesting.

Vicky Saye Henderson is a performer and teaching artist, whose projects include live stage, film, TV, voice-overs and cabaret. On staff at Trustus Theatre, she serves as Director of Education and Professional Development.  She is also a member of Trustus' residential performing ensemble, appearing most recently in The Great American Trailer Park Christmas Musical. She is the recipient of the SC Arts Commission's 2015 Individual Artist Fellowship in Acting and was named the 2013 Jasper Artist of the Year in Theatre. She received her improv training in Orlando, FL (KVG Studios) and is co-director of Trustus' Improv and Sketch Comedy master track Apprentice Company program. Vicky recently provided vocal narration for USC Press' audiobook of Carla Damron's novel, The Stone Necklace. 

For the past 15 years, Todd Mathis has been a solid fixture of the South Carolina music scene, and well beyond, playing in a number of groups from the indie soul of Betty Sneetch to the Brit-tinged rock of Boxing Day (Universal/Republic), fronting the alt-country turned rock of American Gun, crafting the soundscapes of Interruptions of the Mind, and releasing a few solo albums along the way.

Cully Salehi, a graduate of North Carolina School of the Arts, began her journey in music as an orchestral violist. After eight years of classical playing she began exploring the worlds of improvisation, jazz, and rock. Since contributing viola and keys to North Carolina Indie rock group Silver Hill Mine, she has performed several seasons with Columbia Community Orchestra and Lake Murray Symphony Orchestra. She currently enjoys playing local venues, growing in her own songwriting, and collaborating on recording projects at Jangly Records.