Sheltered - Jasper's newest project brings 37 artists together to respond to COVID-19

“Has it ever been more clear we must cease what we are doing?

And we must try to do the thing as natural as resting wings to heal a broken bone, pandemic, torn spirit.”

from Unstable Air

by Tim Conroy

Cover art by Jen Ray

Cover art by Jen Ray

Early during the international pandemic, Brian Harmon and Cindi Boiter, art director and editor-in-chief of Jasper Magazine respectively, both sensed that SC artists would have something to say about the novel Coronavirus that was taking over the lives of everyone they knew, and the two decided to do something about it.

Having curated a number of projects commemorating important occasions in the culture of our community before, Boiter reached out to a selection of 35 visual and literary artists inviting them to respond in whatever fashion they felt appropriate. Upon receiving the art, Harmon went to work designing the book that would contain the art. The finished product is called Sheltered.

The Jasper Project is delighted to share that this 92-page, perfect bound, premium color book is now available for purchase. While a proper book launch will follow once we can all safely gather together again, we hope you will go ahead and order your copy of Sheltered now to support the Jasper Project and its mission of providing collaborative arts engineering and community-wide arts communication.

The Jasper Project is indebted to the artists listed below who shared their words, sensations, and talents as we all try to make sense of the strange landscape time has given us to explore.

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In order to ensure the health and safety of the reader, Sheltered is available from both Amazon and BandN where it can be delivered directly to your door.

Thank you for supporting your local arts community via The Jasper Project!

Tamara Finkbeiner wins Audience Award at Jasper's 2nd Act Film Festival

Tamara Finkbeiner  

Congratulations to Tamara Finkbeiner whose film Eva's Plug, won the Audience Award at Friday night's 2nd Act Film Festival sponsored by Jasper Magazine. Selected via audience ballot, the 2nd Act Film Festival Audience Award includes a check for $250, a First Draft editing program, and a one-of-a-kind trophy designed by Columbia artist, Matthew Kramer. According to film festival director Wade Sellers, "With any short film fest there are many films that could win an audience award, that was the same with this year's 2nd Act Film Fest. There is usually a film, however, that just connects with an audience in that room at that moment and that was the case with Tamara's film Eva's Plug. You could feel the energy and enthusiasm for the film build as it played. That experience is what 2nd Act is all about."

This was the second 2nd Act Film Festival (the first was in October 2013) which played once again to a capacity house at Tapp's Arts Center and included the films of 10 adjudicated filmmakers from South Carolina including Lucas Sams, Brian Harmon, Jason Stokes, Bessy Adut, Phyllis Jackson, Caletta Harris-Bailey, Bradley Wagster,  Dustin Weibel, Jordan Young, and Tamara Finkbeiner. The selected filmmakers, who applied to participate earlier this season, were chosen over other applicants based on their abilities and the freshness of the voice the jurors thought they would bring to the project. Jurors included Lee Ann Kornegay, Lee Snelgrove,  Caitlin Bright, Wade Sellers, and Cindi Boiter. 

2015 2nd Act Filmmakers

"This year we put more pressure on ourselves to assist the filmmakers," Sellers says. "We offered script notes, production advice and assistance, and editorial suggestions once the films were turned in. As a whole the films were more diverse in voice and just better as a whole than our first event." Sellers is the owner and director of Coal Powered Filmworks, a three-time Emmy nominated filmmaker, and the film editor for Jasper Magazine.

In keeping with Jasper's efforts to foster a multi-disciplinary arts community, both visual artists and musicians played a part in the festival and its presentation.  Visual artist Michael Krajewski created an original painting which was used for the festival poster and program; visual artist Matthew Kramer created the Audience Award; and Pedro Ldv entertained festival attendees both before the event and during intermission. In addition, original music from several Columbia-based musicians, including Stan Gardner, Daniel Machado and more, was used as background music during the films themselves.

Columbia-based writer Don McCallister also served as a consultant on the first and third acts of the screenplay which was given to the filmmakers with the challenge that they write the second act and create a film, six minutes long or less, using all three acts. Participants in the 2013 2nd Act Film Festival including Ron Hagell and OK Keyes lent the knowledge of their experience to this year's filmmakers by consulting on films and screenplays.

In the aftermath of Columbia's devastating flood last week other artists including Michael Krajewski,  Bonnie Goldberg, Kara Gunter, Nancy Marine, and Sean McGuiness voluntarily stepped up and offered the fruits of their labors to benefit flood victims through a silent auction which generated $1060 which will be delivered to the Central Carolina Community Foundation. Two large bins of children's arts supplies was also collected from audience members for distribution to children effected by the flood.

The festival staff would like to thank Precision Overhead Garage Door Service, the Mouse House, Coal Powered Filmwork, and Bourbon Columbia for their sponsorship funds and services.

"It was exciting to see these ten filmmakers create these films," Sellers says, "and it only makes us more excited for the future of the event."

Get Osamu Kobayashi While You Can - Thursday night at 80808

Osamu Kobayashi  

The process of painting is a power struggle. I take my paintings one way; they want to go somewhere else. And when they go somewhere else; I drag them in another direction. In the end, the paintings usually wins.

My work is reductive in form, often compositionally centered, and employs a spontaneous and intuitive array of colors, shapes, and textures. Using these elements I create visual dualities: chance vs. control, organic vs. geometric, warm vs. cool, large vs. small, etc.

Like a good story, the elements that comprise each work push and pull off of each other, creating a unified structure that stays contained--but never becomes subdued--within its own parameters.

The aim is to create work with a sensation similar to that of a clear thought: the idea has its bases covered; there’s no room for argument. In reality, however, these paintings can never be clear thoughts; they are much more open than that. They are more of a confrontation: between what I desire to know and what I can never know entirely. -- Osamu Kobayashi

 

If you read the most recent issue of Jasper you know how proud we are of our native son Osamu Kobayashi whose visual arts career has already lifted off the launch pad, sparks flying, smoke roiling, and is making that last almost slo-mo ascent into space. Right now, we can shade our eyes against the brightness, but soon he'll be another one of those star-like satellites in the sky that we can identify by its placement and history, but no longer actually touch. (Unless we sneak in a visit with him when he comes home to see Shige and the rest of his family on one of those rare, super-artist holidays.)

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Watch this video by Brian Harmon starring Columbia Museum of Art chief curator Will South as well as Osamu's very proud brother Shigeharu Kobayashi to learn more about Osamu's upcoming exhibit this Thursday, December 12th at Vista Studios Gallery 80808 at 808 Lady Street.

Don't miss a chance to meet and chat with Osamu while he's in Columbia.

See you Thursday night at this free Columbia arts event.

Read more about Osamu here.