Announcing the Winner of the Inaugural Lizelia Augusta Jenkins Moorer BIPOC Chapbook Prize - Maria S. Picone

Maria S. Picone (photo courtesy of the artist)

It is with great joy that the Jasper Project announces that the winner of the inaugural Lizelia Augusta Jenkins Moorer Poetry Chapbook Prize is Maria S. Picone of Myrtle Beach, SC for her chapbook entitled, Sky Sea Edict.

Maria S. Picone/수영 is a Korean American adoptee who won Cream City Review’s 2020 Summer Poetry Prize. She has been published in Tahoma Literary Review, The Seventh Wave, Fractured Lit and Best Small Fictions 2021. Her work has been supported by Lighthouse Writers, GrubStreet, Kenyon Review, and Tin House. She is a 2022 Palm Beach Poetry Festival Kundiman Fellow and Chestnut Review and The Petigru Review's managing editor. 

Lizelia Augusta Jenkins Moorer (1868-1936) was a teacher and social activist in Orangeburg, SC. Born in Pickens, SC, she taught at the Normal and Grammar Schools at Claflin College for 40 years. Her published anthology of poems Prejudice Unveiled, and Other Poems (1907) examined the Jim Crow South’s propensity for lynching, racism, and social injustice. Moorer was also an advocate for women’s suffrage in South Carolina, especially in the Methodist Church. 

The purpose of the Lizelia August Jenkins Moorer Prize, affectionately called the Lizelia Prize, is to offer a BIPOC poet from SC a publishing contract with Muddy Ford Press to publish their debut chapbook under the guidance of an established poet. The inspiration of Dr. Len Lawson, who is a member of the Jasper Project board of directors and the author, editor, or co-editor of four books of poetry, Lawson will also serve as editor of Picone’s chapbook and will collaborate with them on the construction of the book. Picone will receive publication via Muddy Ford Press, a cash prize, and ten author copies of the book.

This year’s judge of the more than 10 submissions was Raena Shirali. Shirali is a poet, editor, and educator from Charleston, SC. Her first book, GILT (YesYes Books, 2017), won the 2018 Milt Kessler Poetry Book Award, and her forthcoming collection, summonings, won the 2021 Black Lawrence Press Hudson Prize. Winner of a Pushcart Prize & a former Philip Roth Resident at Bucknell University, Shirali is also the recipient of prizes and honors from VIDA, Gulf Coast, Boston Review, & Cosmonauts Avenue. She holds an MFA in Poetry from The Ohio State University and is an Assistant Professor of English at Holy Family University, where she serves as Faculty Advisor for Folio—a literary magazine dedicated to publishing works by undergraduate students at the national level. Her work has appeared in American Poetry Review, Academy of American Poets’ Poem-A Day, The Nation, The Rumpus, & elsewhere.

About Picone’s work, Shirai writes, “What does it mean to belong—to a country, to a culture, to oneself? Maria S. Picone’s work is defined by these questions, and her work joins a storied lineage of Asian American authors who have wondered the same. Dense, insistent, and endlessly rewarding, Sky Sea Edict studies loss through identity and identity through loss in poems overflowing with language and yet marked by their empty spaces. These poems defiantly experiment, crossing text out, attempting language by repeating, iterating, attempting, scrapping it all and trying, again, to learn a mother tongue. Sky Sea Edict is a glorious declaration of oppositional existence, a vibrantly musical exploration that—as Picone herself writes—“weigh[s] these lucks against the lacks.”

Lawson is also delighted with the outcome of the inaugural poetry competition, saying, “Maria S. Picone translates her experience as a Korean adoptee in the South into the language of poetry, filling in any gaps with compelling verse, connecting her timeline with her original and adopted tongues. She braves the unknown in her life with these courageous words, offering a free-spirited narrative we must observe from all angles of both sky and sea. Picone has a voice to remember going forward.”

Lawsone continues, “The legacy of South Carolina poets of color became the impetus of this project with the example of Lizelia Augusta Jenkins Moorer at the forefront. Her poetry and service to South Carolina presents a beacon for any artists of color seeking to make a permanent mark in their communities. My hope is for this project to endure as more gifted voices emerge from our state.”

For more information about Maria S. Picone please visit her website.